Research Catalog
Open and closed forms : why do we like Mark Morris so much?
- Title
- Open and closed forms : why do we like Mark Morris so much?
- Author
- Fleming, Bruce.
Details
- Found In
- DanceView. Washington, D.C. v. 11, no. 4 (summer 1994), p. 77-80. ill.
- Subjects
- Note
- Analysis of the choreography of Mark Morris and its open forms which are contrasted with the closed forms of George Balanchine's choreography. Includes discussion of Maelstrom, performed by the San Francisco Ballet during its spring 1994 season at the Kennedy Center.
- Call Number
- *MGZA
- OCLC
- NYPY95-B961
- Author
- Fleming, Bruce.
- Title
- Open and closed forms : why do we like Mark Morris so much?
- Found In:
- DanceView. Washington, D.C. v. 11, no. 4 (summer 1994), p. 77-80. ill.
- Research Call Number
- *MGZA