Research Catalog

Interview with Neil Greenberg

Title
Interview with Neil Greenberg [sound recording]
Author
Greenberg, Neil, 1959-
Publication
1995.

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StatusVol/DateFormatAccessCall NumberItem Location
reel 7AudioUse in library *MGZTC 3-1886 [sound cassette] reel 7Performing Arts Research Collections - Dance
reel 6AudioUse in library *MGZTC 3-1886 [sound cassette] reel 6Performing Arts Research Collections - Dance
reel 5AudioUse in library *MGZTC 3-1886 [sound cassette] reel 5Performing Arts Research Collections - Dance
reel 4AudioUse in library *MGZTC 3-1886 [sound cassette] reel 4Performing Arts Research Collections - Dance
reel 3AudioUse in library *MGZTC 3-1886 [sound cassette] reel 3Performing Arts Research Collections - Dance
reel 2AudioUse in library *MGZTC 3-1886 [sound cassette] reel 2Performing Arts Research Collections - Dance
reel 1AudioUse in library *MGZTC 3-1886 [sound cassette] reel 1Performing Arts Research Collections - Dance
AudioSupervised use *MGZMT 3-1886 (transcript)Performing Arts Research Collections - Dance

Details

Additional Authors
  • Kraft, Susan, 1961-
  • DHCA
Description
7 sound cassettes (9 hr., 30 min.) +
Summary
  • Cassette 1 (90 min.). Recorded Feb. 27, 1995. Mr. Greenberg discusses his childhood in Minnesota; his family life; first dance classes; becoming aware of homosexuality; his first choreography; the impact of Judaism on his childhood; his first experience seeing the choreography of Merce Cunningham, Twyla Tharp and others; graduating from high school early; moving to New York to attend the Juilliard School; getting hired by the Feld Ballet and being fired a few months later; working with small modern dance companies; studying at the Cunningham school; his developing interest in choreography; Cunningham's invitation to join the Merce Cunningham Dance Company; learning his parts from videotape and other experiences in the company.
  • Cassette 2 (90 min.). Recorded Mar. 6, 1995. Mr. Greenberg further discusses the Merce Cunningham Dance Company and his relationship with Mr. Cunningham; Cunningham's creative process and personality; Cunningham's choreographies Channels/Inserts and Fielding sixes; his own changing attitudes towards dance training and discussing these attitudes with Cunningham; Susan Klein and her technique; drug and alcohol use; and studying ballet with Janet Panetta.
  • Cassette 3 (30 min.). Recorded Mar. 6, 1995. Mr. Greenberg discusses his development as a dancer; new responsibilities; teaching at SUNY Purchase; his classes and philosophy of teaching; modernism; first choreography at Dance Theater Workshop; other early works and influences, including the Wooster Group; and interpretations of his work.
  • Cassette 4 (90 min.). Recorded Mar. 13, 1995. Mr. Greenberg discusseshis decision to leave the Merce Cunningham Dance Company; talk with Cunningham about his decision and other issues concerning Cunningham; his Not-about-AIDS-dance; the development of his work up to that point, involving text, movement choices, subject matter and improvisation; his brother's death; his own attempt to face up to being HIV positive in the process of creating this dance; rhythm; his choreographic process; the dancers in his company; and his choreography MacGuffin.
  • Cassette 5 (30 min.). Recorded Mar. 13, 1995. Mr. Greenberg discusses his changing work process; Cunningham's Sounddance; subjectivity and objectivity in dance; deconstructivism; the videotape of Not-about-AIDS-dance; his hopes for the piece and the development of the text.
  • Cassette 6 (90 min.). Recorded Oct. 4, 1995. Mr. Greenberg discusses his choreography MacGuffin; collaboration with lighting designer Michael Stiller; abstraction and formalism in dance; deconstruction; text; coaching his dancers; acting and dancing; issues of performance; his choreography Amnesty; ways of creating structure and movement; collaboration with composer Zeena Parkins and his own use of music.
  • Cassette 7 (90 min.). Recorded Oct. 4 and 13, 1995. Mr. Greenberg discusses the sources and development of his choreography The disco project; the relationship of disco and AIDS; his role as a performer in his own choreography; the conditions under which choreographers work; the death of Frank Maya; his curatorship at The Kitchen. Mr. Greenberg praises the dancers with whom he has worked and discusses the undervalued role of dancers and his own HIV status.
Alternative Title
  • Dance Oral History Project.
  • Dance Audio Archive.
Subject
  • Cunningham, Merce
  • Klein, Susan T
  • Panetta, Janet
  • Stiller, Michael
  • Parkins, Zeena
  • Juilliard School. Dance Division
  • Feld Ballet
  • Merce Cunningham Dance Company
  • Wooster Group
  • Kitchen Center for Video, Music, Dance, Performance, Film, and Literature (New York, N.Y.)
  • Channels/Inserts (Choreographic work : Cunningham)
  • Fielding sixes (Choreographic work : Cunningham)
  • Not-about-AIDS-dance (Choreographic work : Greenberg)
  • MacGuffin (Choreographic work : Greenberg)
  • Sounddance (Choreographic work : Cunningham)
  • Amnesty (Choreographic work : Greenberg)
  • Disco project (Choreographic work : Greenberg)
  • Modern dance > Technique > Cunningham
  • AIDS (Disease)
  • AIDS (Disease) and the arts
  • Disco dancing
  • Dance > Philosophy
  • Modernism (Aesthetics)
Note
  • Interviewed by Susan Kraft at the Dance Collection of the New York Public Library for the Performing Arts and other locations.
  • For transcript see *MGZMT 3-1886.
Access (note)
  • Transcripts may not be photographed or reproduced without permission.
Call Number
*MGZMT 3-1886
OCLC
NYPY96-R3
Author
Greenberg, Neil, 1959- Interviewee
Title
Interview with Neil Greenberg [sound recording]
Imprint
1995.
Local Note
Preservation master cassette in: *MGZTCO 3-1886.
Archival transcript in: *MGZMTO 3-1886.
Restricted Access
Transcripts may not be photographed or reproduced without permission.
Local Subject
Klein technique.
Added Author
Kraft, Susan, 1961- Interviewer
DHCA
Research Call Number
*MGZMT 3-1886 [Transcript]
*MGZTC 3-1886 [Cassette]
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