Research Catalog
Oral history interview with Art Farmer.
- Title
- Oral history interview with Art Farmer.
- Publication
- New York : Schomburg Center for Research in Black Culture, 1993.
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2 Items
Status | Vol/Date | Format | Access | Call Number | Item Location |
---|---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Schomburg Center to submit a request in person. | Disc 2 | Moving image | Use in library | Sc DVD-1064 Disc 2 | Schomburg Center - Moving Image & Recorded Sound |
Available - Can be used on site. Please visit New York Public Library - Schomburg Center to submit a request in person. | Disc 1 | Moving image | Use in library | Sc DVD-1064 Disc 1 | Schomburg Center - Moving Image & Recorded Sound |
Details
- Additional Authors
- Description
- 2 videodiscs (125 min.) : sound, color; 4 3/4 in.
- Summary
- The oral history interview with Art Farmer goes directly into Farmer's career. Farmer talks about relocating to Vienna. The Martin Luther King Jr. and Robert Kennedy assassinations, the ensuing political climate, coupled with a low domestic jazz scene, prompted the 1968 move. While there, he worked with the Austrian Radio Orchestra and performed independently throughout Europe. He customized his music in accordance with public preferences, but, as commercial success increased, the quality of the music decreased. Became involved with music education in Graz and Linz (the "Hochschulen" in these cities had a jazz section). Backtracks to earliest musical experiences. Began studying piano at 6. Soon thereafter he was given a violin, became a member of a local marching band, and, with twin brother Addison, played the horn. True interest in music emerged with the bass, then trumpet. Began studying privately at Julliard. Focused on technique: rather than his mouth, concentrated on using stomach muscles. Toured the South and Southwest; Dizzy Gillespie, Fats Domino and Miles Davis were the greatest influences. Moved to LA and worked with Benny Carter, Johnny Otis, Roy Porter, Teddy Edwards (1945). To supplement income worked as an X-ray clerk in LA County Hospital. Did a TV series with Gerald Wilson and met a number of jazz greats: Quincy Jones, Buster Cooper, Clifford Brown. For learning purposes, transcribed Fats and Miles; Dizzy was difficult to transcribe. Toured with Lionel Hampton and recorded with Brown (1952-1953). Settled in NYC and formed a band with Gigi Gryce (1953). Single Farmer's market (1956/Addison Farmer, bass) led to a record deal. Recorded for Prestige with Brown and Lester Young; collaborated with Clifford Jordan (who composed Ballad art for him) and George Russell (RCA/Victor jazz workshop series). Russell taught Art how to run through chords (rather than just playing them). Subsequent use of notation (C instead of B flat) marked a departure from diatonic composition. Formed Sextet with Benny Golson (Jazztet) (1959-1962). When Jazztet disbanded, released 10 albums as leader. Continued practicing. Continued to play piano; this was Dizzy's influence: Dizzy claimed that all players must play piano. Switched from playing trumpet to fluegelhorn; trumpet was now mostly limited to big-band section work. Discusses melody-based and harmony-based improvisation. Duke Ellington and John Coltrane revolutionized the former. Plans to continue working, assemble a reliable band, possibly return to the US. Concludes interview with discussion of Art (Argo), his favorite recording with the Quartet; mentions several singles: I'm a fool to want you, That old devil called love, Younger than springtime. Talks about the Quartet (Art Farmer/trumpet, Tommy Flanagan/piano, Albert Heath/drums, Tommy Williams/bass). Williams was great with melodic improvisation.
- Subjects
- Edwards, Teddy, 1924-2003
- Otis, Johnny, 1921-2012
- Trumpet players
- Chords (Music) > Technique
- Ellington, C. D > Contributions in melody
- Jazz > History
- Farmer, Art > Appreciation > Europe
- Trumpet > Studies and exercises (Jazz)
- Porter, Roy, 1923-1998
- Flügelhorn > Studies and exercises (Jazz)
- Arrangement (Music) > Technique
- Farmer, Art > Childhood and youth
- Music > Indivdualized instruction
- Jazz > History and criticism
- King, Martin Luther, Jr., 1929-1968 > Assassination > Influence
- Oral histories
- Melody > Technique
- Gillespie, Dizzy, 1917-1993 > Influences
- Fluegelhorn music (Jazz)
- Piano > Studies and exercises (Jazz)
- Jones, Quincy, 1933-
- Carter, Benny
- Brown, Clifford > Clifford Brown memorial album
- Davis, Miles
- Russell, George > Influence
- Jazz > Study and teaching (Secondary) > Austria > Linz
- Farmer, Art > Interviews
- Jordan, Clifford
- Young, Lester, 1909-1959
- Wilson, Gerald
- Cooper, Buster
- Kennedy, Robert F., 1925-1968 > Assassination > Influence
- Flügelhorn > Chord diagrams > Technique
- African American composers
- Flügelhorn music (Jazz)
- Art Farmer-Benny Golson Jazztet
- Domino, Fats, 1928-2017 > Influence
- African American musicians
- Jazz musicians
- Musical notation > Technique
- Art Farmer Quartet
- Gryce, Gigi
- Farmer, Addison
- Jazz > Study and teaching (Secondary) > Austria > Graz
- Composition (Music) > Technique
- Hampton, Lionel
- Interviews
- Genre/Form
- Interviews.
- Oral histories.
- Note
- The Louis Armstrong Jazz Oral History Project was funded by the Louis Armstrong Educational Foundation, Inc.
- Terms of Use (note)
- Permission required to cite, quote and reproduce; contact repository for information.
- Biography (note)
- Art Farmer is a trumpet, fluegelhorn and piano player, composer and band leader. Farmer began playing piano at age 6, which eventually led to his playing the trumpet (with twin brother Addison) and studying at Juilliard. He has performed and recorded in California, New York City, relocated to Vienna and toured throughout Europe.
- Linking Entry (note)
- Forms part of: Louis Armstrong Jazz Oral History Project.
- Call Number
- Sc DVD-1064
- OCLC
- 1122563465
- Title
- Oral history interview with Art Farmer.
- Production
- New York : Schomburg Center for Research in Black Culture, 1993.
- Country of Producing Entity
- United States.
- Type of Content
- two-dimensional moving image
- Type of Medium
- video
- Type of Carrier
- videodisc
- Digital File Characteristics
- video file DVD
- Performer
- Interviewer, Jimmy Owens.
- Event
- Recorded August 13, 1993, at the Schomburg Center for Research in Black Culture.
- Terms Of Use
- Permission required to cite, quote and reproduce; contact repository for information.
- Biography
- Art Farmer is a trumpet, fluegelhorn and piano player, composer and band leader. Farmer began playing piano at age 6, which eventually led to his playing the trumpet (with twin brother Addison) and studying at Juilliard. He has performed and recorded in California, New York City, relocated to Vienna and toured throughout Europe.
- Linking Entry
- Forms part of: Louis Armstrong Jazz Oral History Project.
- Connect to:
- Added Author
- Farmer, Art, interviewee.Owens, Jimmy, 1943- interviewer.Schomburg Center for Research in Black Culture.Schomburg Center for Research in Black Culture. Louis Armstrong Jazz Oral History Project.
- Research Call Number
- Sc DVD-1064Sc Visual VRA-180 VHSSc Visual VRC-3 MII videotape