- Found In
- c2am Congress on Research in Dance. Conference (34th : 2001 : New York University). Proceedings. vol. 1, p. 234-243.
- Subject
- Solomons, Gus, Jr., 1938-2023
- Jones, Bill T
- Cummings, Blondell
- Miller, Joan, 1936-
- Miller, Bebe
- Lemon, Ralph
- African American dancers
- Dance, Black
- Note
- "In this paper, I examine the African American presence in postmodern dance. The "presence" is defined as: (a) the somatic and intellectual agency of black choreographers (e.g., Gus Solomons, Jr., Bill T. Jones, Blondell Cummings, and others), and (b) the increasingly visible influence of African American cultural and artistic expressions derived from American popular culture. My discussion begins by outlining ideological and aesthetic contrasts between the early white-led postmodern dance movement and various aspects of black modern dance in the 1960s. I then focus on how the above-mentioned choreographers have responded artistically and personally to social and artistic changes. And lastly, I address key issues concerning the syncretistic nature of the black-white interplay in postmodern dance."--p. 234
- Bibliography (note)
- Includes bibliographical references.
- Call Number
- *MGRL 02-895, vol. 1
- OCLC
- NYPY03-B1006
- Author
Paris, Carl.
- Title
Defining the African American presence in postmodern dance from the Judson Church era to the 1990s.
- Bibliography
Includes bibliographical references.
- Local Subject
Postmodern dance -- History.
African American choreographers.
- Found In:
c2am Congress on Research in Dance. Conference (34th : 2001 : New York University). Proceedings. vol. 1, p. 234-243.
- Research Call Number
*MGRL 02-895, vol. 1