Research Catalog
Interview with Jerome Robbins.
- Title
- Interview with Jerome Robbins. 1974? [sound recording]
- Author
- Robbins, Jerome
- Publication
- 1974.
Items in the Library & Off-site
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3 Items
Status | Vol/Date | Format | Access | Call Number | Item Location |
---|---|---|---|---|---|
Not available - Please for assistance. | disc 2 | Audio | Permit needed | *MGZTL 4-3066 JRC disc 2 | Performing Arts Research Collections - Dance |
Not available - Please for assistance. | disc 1 | Audio | Permit needed | *MGZTL 4-3066 JRC disc 1 | Performing Arts Research Collections - Dance |
Not available - Please for assistance. | Audio | Permit needed | *MGZMT 3-3066 JRC | Performing Arts Research Collections - Dance |
Details
- Additional Authors
- Description
- 2 sound discs (ca. 105 min.) : digital; 4 3/4 in.
- Summary
- Disc 1 (ca. 60 min.), track 1 [Sound quality is fair.] In an interview with Clive Barnes, Jerome Robbins discusses his early training as a dancer and experiences with choreography; working with choreographer Michel Fokine during the early 1940s; conceiving of his ballet Fancy free (1944) and how it came to be produced; the influence of choreographer Senia Gluck-Sandor; his early encounters with George Balanchine at the American Ballet Theatre and a pivotal conversation they later had; his early impressions of ballet, including a performance of Symphony in C by Ballet Society and the dancing of Alexandra Danilova in Swan lake; his various roles as a dancer for the New York City Ballet; his decision to stop dancing [track 1 ends abruptly].
- [Interview resumes on track 2.] Robbins discusses dancing in various ballets choreographed by George Balanchine, including Prodigal son (1950); his collaboration with Balanchine on their ballet Jones Beach (1949). Robbins discusses his ballets, The guests (1949) and Age of anxiety (1950); his early career as a Broadway director and choreographer, including his first flops such as That's the ticket; more on his work on Broadway, including the lack of documentation of many of his dances; directing versus choreographing; forming and running his own dance company for the Spoleto Festival; the relationship between some of his ballets and his Broadway shows; the ballets that have given him the most satisfaction [stops abruptly].
- Disc 2 (ca. 45 min.) [Sound quality fair; recording is slightly fast.] Robbins discusses his work with the American Theatre Laboratory (ca. 1966-68); returning to New York City Ballet to choreograph Dances at a gathering (1969) and its inspiration in the dancing of Patricia McBride and Edward Villella; Robbins and Barnes discuss the New York City Ballet; Robbins discusses the use of narrative in his ballets; his future as a choreographer at New York City Ballet; the company's audience; its use of subscription ticket sales; his ballet Les noces (1965) compared with Bronislava Nijinska's version; more on his work with American Theatre Laboratory; his enjoyment of Spoleto, Italy, and his interest in the pas de deux; Robbins begins discussing dance notation [track 1 ends abruptly; track 2 begins]; Robbins and Clive Barnes discuss the process of Labanotation in comparison with other dance notation systems; Robbins discusses his interest in doing a classical ballet such as Swan lake; his feelings about reviving his ballet Watermill (1972); accidents and injuries of dancers at New York City Ballet; casting decisions made by the company [ends abruptly].
- Series Statement
- Jerome Robbins Collection
- Alternative Title
- Dance Audio Archive.
- Subjects
- Note
- Interview conducted by Clive Barnes ca. 1974, and by a second interviewer, possibly Patricia Barnes.
- Access (note)
- Permission required.
- Funding (note)
- Preservation made possible in part with public funds from the National Endowment for the Humanities.
- Source (note)
- WNET/13
- Call Number
- *MGZTL 4-3066 JRC
- OCLC
- NYPT03-R37
- Author
- Robbins, Jerome, interviewee.
- Title
- Interview with Jerome Robbins. 1974? [sound recording]
- Imprint
- 1974.
- Series
- Jerome Robbins Collection
- Access
- Permission required.
- Funding
- Preservation made possible in part with public funds from the National Endowment for the Humanities.
- Local Note
- Archive original: *MGZTCO 3-3066 JRCPreservation master: *MGZTP 10-3066 JRCDubbing master: *MGZTD 4-3066 JRCArchival transcript: *MGZMTO 3-3066 JRCFor a partial transcript see *MGZMT 3-3066 JRC. The transcript was created by WNET/13 in connection with the documentary: Jerome Robbins: Something to dance about.
- Source
- Transcript Gift; WNET/13, 2008. NN-PD
- Connect to:
- Local Subject
- Audiotapes -- Robbins, J.
- Added Author
- Barnes, Clive, 1927-2008. InterviewerBarnes, Patricia. Interviewer
- Research Call Number
- *MGZTL 4-3066 JRC