Research Catalog
Letter to Bernard Perlin.
- Title
- Letter to Bernard Perlin. [sound recording]
- Author
- Robbins, Jerome.
- Publication
- 1961.
Items in the Library & Off-site
Filter by
2 Items
Status | Format | Access | Call Number | Item Location |
---|---|---|---|---|
Not available - Please for assistance. | Audio | Permit needed | *MGZTL 4-3292 JRC | Performing Arts Research Collections - Dance |
Not available - Please for assistance. | Audio | Permit needed | *MGZMT 3-3292 JRC | Performing Arts Research Collections - Dance |
Details
- Additional Authors
- Perlin, Bernard, 1918-
- Description
- 1 sound disc (ca. 20 min.) : digital; 4 3/4 in.
- Summary
- In a letter to Bernard Perlin, Jerome Robbins outlines his theory of ballet choreography. Robbins discusses the use of ballet technique in jazz dancing; the role of the choreographer as opposed to the dancer in expressing a dance's inventiveness; how choreographers such as George Balanchine and Michel Fokine demonstrate movement to dancers; his inability to understand his own influence on American dance; the perception of him as a "jack-of-all-trades" and the relationship between his ballet Moves (1959) and his work on Broadway in Gypsy (1959); the creative freedom of the choreographer in inverse proportion to how much money is involved in a project; his working process in comparison with Balanchine's; the presence of leftover material each time he choreographs a work; his experience choreographing the second section of his jazz ballet, New York export: opus jazz (1958).
- The choreographer's challenge to say something new and to communicate with the audience; Robbins' choreographic process; his use of a detailed scenario for the ballet, Fancy free (1944) and his current work without scenarios; ballet as ritual that tells a story with movement. Robbins describes his ballets, Moves, Afternoon of a faun (1953), Opus jazz, and The concert (1956) as presented by his company, Ballets: U.S.A. during its European tour in 1959; more on ballet as ritual and the choreographer's effect on the audience, including the feeling of being guided by a "master's hand".
- Series Statement
- Jerome Robbins Collection
- Alternative Title
- Dance Audio Archive.
- Subjects
- Note
- Letter recorded in Feb. 1961, dictated to Robbins' secretary, Edith Weisman.
- Access (note)
- Permission required.
- Funding (note)
- Preservation made possible in part with public funds from the National Endowment for the Humanities.
- Source (note)
- WNET/13
- Call Number
- *MGZTL 4-3292 JRC
- OCLC
- NYPT04-R169
- Author
- Robbins, Jerome.
- Title
- Letter to Bernard Perlin. [sound recording]
- Imprint
- 1961.
- Series
- Jerome Robbins Collection
- Access
- Permission required.
- Funding
- Preservation made possible in part with public funds from the National Endowment for the Humanities.
- Local Note
- For transcript of full recording as well as a transcript (per Amanda Vaill's notes) of a short excerpt, 12:32-13:37, of the audio recording, see *MGZMT 3-3292 JRC. The full transcript was created by The Jerome Robbins Foundation in 2017. The excerpt was created by WNET/13 in connection with the documentary: Jerome Robbins: Something to dance about.Archival transcript: *MGZMTO 3-3292 JRCArchive original: *MGZT0 5-3292 JRCPreservation master: *MGZTP 10-3292 JRCDubbing master: *MGZTD 4-3292 JRC
- Source
- Transcript Gift; WNET/13, 2008. NN-PD
- Connect to:
- Local Subject
- Audiotapes -- Robbins, J.
- Added Author
- Perlin, Bernard, 1918- Correspondent
- Research Call Number
- *MGZTL 4-3292 JRC