Research Catalog
Translating abstraction into music? Parallels to abstract painting in 20th century music, Works & process at the Guggenheim
- Title
- Translating abstraction into music? [videorecording] : Parallels to abstract painting in 20th century music, Works & process at the Guggenheim / [performance series producer, Mary Sharp Cronson].
- Publication
- 1996.
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Status | Format | Access | Call Number | Item Location |
---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person. | Moving image | Use in library | *MGZIDVD 5-1069 | Performing Arts Research Collections - Dance |
Details
- Additional Authors
- Description
- 1 videodisc (NTSC) (94 min.) : sd., col.; 4 3/4 in.
- Summary
- This program opens with a 35-minute lecture by Leon Botstein about abstraction in music and its connection to and divergence from abstraction in painting. Botstein discusses traditional tonal music and its representation of emotions, Arnold Schoenberg's development of the closed twelve-tone system and its relationship to Wassily Kandinsky's innovations in painting, and further developments in modernist music by Anton Webern, Pierre Boulez, John Cage, and George Crumb. The second part of the program is devoted to a concert of music by these composers, including a performance of Schoenberg's String trio.
- Donor/Sponsor
- Gift of Works & process at the Guggenheim, Mary Sharp Cronson, producer.
- Series Statement
- Works & process at the Guggenheim collection ; 069.
- Uniform Title
- Works and process at the Guggenheim.
- Subject
- Genre/Form
- Video.
- Music.
- Educational/cultural works.
- Event (note)
- Recorded as part of the Works & process performance series at the Solomon R. Guggenheim Museum, New York, on March 13, 1996.
- Funding (note)
- With support from The Peter Jay Sharp Foundation, digitization and DVD authoring of the Works & process at the Guggenheim video archive was done by StreamingCulture at the Graduate Center of The City University of New York.
- Biography (note)
- This program is presented in conjunction with the Guggenheim exhibition Abstraction in the twentieth century: Total risk, freedom, discipline.
- Call Number
- *MGZIDVD 5-1069
- OCLC
- 100317029
- Title
- Translating abstraction into music? [videorecording] : Parallels to abstract painting in 20th century music, Works & process at the Guggenheim / [performance series producer, Mary Sharp Cronson].
- Imprint
- 1996.
- Country of Producing Entity
- U.S.
- Series
- Works & process at the Guggenheim collection ; 069.Works and process at the Guggenheim.
- Performer
- Speaker: Leon Botstein. Music performed by the Bard Festival Chamber Players.
- Event
- Recorded as part of the Works & process performance series at the Solomon R. Guggenheim Museum, New York, on March 13, 1996.
- Funding
- With support from The Peter Jay Sharp Foundation, digitization and DVD authoring of the Works & process at the Guggenheim video archive was done by StreamingCulture at the Graduate Center of The City University of New York.
- Biography
- This program is presented in conjunction with the Guggenheim exhibition Abstraction in the twentieth century: Total risk, freedom, discipline.
- Added Author
- Schoenberg, Arnold, 1874-1951. Trio, violin, viola, cello, op. 45.Webern, Anton, 1883-1945. ComposerBoulez, Pierre, 1925-2016. ComposerCage, John. ComposerCrumb, George. ComposerBotstein, Leon. SpeakerCronson, Mary Sharp. ProducerBard Festival Chamber Players.Solomon R. Guggenheim Museum.
- Research Call Number
- *MGZIDVD 5-1069