- Description
- 1 online resource (xvi, 374 pages) : illustrations (some color)
- Summary
- "Situates masks and masked dancing in the Cirebon region of Java (Indonesia) as an original expression of Islam. This is a different view from that of many scholars, who argue that canonical prohibitions on fashioning idols and imagery prove that masks are mere relics of indigenous beliefs that Muslim travelers could not eradicate. Making use of archives, oral histories, and the performing objects themselves, Ross traces the mask's trajectory from a popular entertainment in Cirebon--once a portal of global exchange--to a stimulus for establishing a deeper connection to God in late colonial Java, and eventual links to nationalism in post-independence Indonesia"--
- Series Statement
- Studies on performing arts & literature of the Islamicate world, 2214-6563 ; volume 2
- Uniform Title
- Encoded Cirebon Mask (Online)
- Alternative Title
- Encoded Cirebon Mask (Online)
- Subject
- Bibliography (note)
- Includes bibliographical references (pages 305-337) and index.
- Access (note)
- Access restricted to authorized users.
- Contents
- The pasisir in the age of steam, sail, and the railway -- Independence : registration cards, theme parks, and topeng tours -- Floating artists on the circumambulatory road -- Tuning the body : dzikir flows and sonic theism -- Engaging the body and the senses -- Looking closely : the iconic mask -- Looking closer : the inner face -- Mapping tarekat : performing the mosque/grave complex.
- LCCN
- 2016031343
- OCLC
- ssj0001724962
- Author
Ross, Laurie Margot.
- Title
The Encoded Cirebon Mask [electronic resource] : Materiality, Flow, and Meaning along Java's Islamic Northwest Coast / by Laurie Margot Ross.
- Imprint
Leiden : Brill, [2016]
- Series
Studies on performing arts & literature of the Islamicate world, 2214-6563 ; volume 2
- Bibliography
Includes bibliographical references (pages 305-337) and index.
- Access
Access restricted to authorized users.
- Connect to: