Research Catalog

Technologies of the image : art in 19th-century Iran

Title
Technologies of the image : art in 19th-century Iran / edited by David J. Roxburgh and Mary McWilliams ; with contributions by Farshid Emami, Mary McWilliams, David J. Roxburgh, and Mira Xenia Schwerda.
Publication
  • Cambridge, Mass. : Harvard Art Museums, [2017]
  • New Haven : Yale University Press

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StatusFormatAccessCall NumberItem Location
TextUse in library JQF 17-2220Schwarzman Building - Art & Architecture Room 300

Details

Additional Authors
  • Roxburgh, David J.
  • McWilliams, Mary, 1954-
  • Emami, Farshid
  • Schwerda, Mira Xenia
  • Harvard Art Museums, host institution.
Description
xviii, 173 pages : illustrations; 29 cm
Summary
With a few notable exceptions, scholars have historically understudied and often underappreciated the art of Iran in the Qajar era (1779-1925). This catalogue presents a fresh take on the art of the period, setting aside the value judgments that shaped early responses to instead examine the effects and results of new technologies of representation across a variety of mediums. The book foregrounds the inherent relationship and movement among mediums and images, both traditional and new, while deflecting primary attention from royal patronage to more public and widely accessible forms of image-making. In bringing together four principal art forms--lacquer, painting and drawing on paper, lithography, and photography--the authors explore the separate and intertwined histories of these mediums, their contexts of production, and their means of dissemination across sectors of society ranging from the courtly elite to the citizenry at large. The book considers how the breadth of mediums and subject matters evidenced by these objects could be matched only by the diverse formats through which images were embodied and circulated in the world. Indeed, unlike their European contemporaries, Qajar artists and patrons were not concerned about systems of image duplication and translation--a key aspect this book takes up in its effort to approach Qajar art on its own terms, not as a lesser manifestation of Western ideals.
Subject
  • Art, Iranian > Exhibitions
  • Islamic art > Iran > Exhibitions
  • Photography > Iran > Exhibitions
  • Lacquer and lacquering > Iran > Exhibitions
  • Painting, Iranian > Exhibitions
  • Art, Iranian
  • Islamic art
  • Lacquer and lacquering
  • Painting, Iranian
  • Photography
  • ART / Middle Eastern
  • Iran
Genre/Form
Exhibition catalogs.
Note
  • Maps on endpapers.
  • "This catalogue accompanies the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums, Cambridge, Massachusetts, from August 26, 2017 through January 7, 2018."
Bibliography (note)
  • Includes bibliographical references (pages 159-165) and index.
Contents
Technologies of the image : art in 19th-century Iran / David J. Roxburgh -- Qajar lacquer as a medium of exchange / Mary McWilliams -- The lithographic image and its audiences / Farshid Emami -- Iranian photography : from the court, to the studio, to the street / Mira Xenia Schwerda -- Painting after photography in 19th-century Iran / David J. Roxburgh -- Works in the exhibition.
Call Number
JQF 17-2220
ISBN
  • 9781891771736
  • 1891771736
  • 9780300229196
  • 0300229194
LCCN
2017011017
OCLC
978252052
Title
Technologies of the image : art in 19th-century Iran / edited by David J. Roxburgh and Mary McWilliams ; with contributions by Farshid Emami, Mary McWilliams, David J. Roxburgh, and Mira Xenia Schwerda.
Publisher
Cambridge, Mass. : Harvard Art Museums, [2017]
Distributor
New Haven : Yale University Press
Type of Content
text
Type of Medium
unmediated
Type of Carrier
volume
Bibliography
Includes bibliographical references (pages 159-165) and index.
Added Author
Roxburgh, David J., editor, author.
McWilliams, Mary, 1954- editor, author.
Emami, Farshid, author.
Schwerda, Mira Xenia, author.
Harvard Art Museums, host institution.
Research Call Number
JQF 17-2220
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