- Additional Authors
- Project Muse.
- Description
- 1 online resource (1 PDF (ix, 228 pages) :) : illustrations.
- Summary
- At the core of Martial Arts Cinema and Hong Kong Modernity: Aesthetics, Representation, Circulation is a fascinating paradox: the martial arts film, long regarded as a vehicle of Chinese cultural nationalism, can also be understood as a mass cultural expression of Hong Kong's modern urban-industrial society. This important and popular genre, Man-Fung Yip argues, articulates the experiential qualities, the competing social subjectivities and gender discourses, as well as the heightened circulation of capital, people, goods, information, and technologies in Hong Kong of the 1960s and 1970s. In addition to providing a novel conceptual framework for the study of Hong Kong martial arts cinema and shedding light on the nexus between social change and cultural/aesthetic form, this book offers perceptive analyses of individual films, including not only the canonical works of King Hu, Chang Cheh, and Bruce Lee, but also many lesser-known ones by Lau Kar-leung and Chor Yuen, among others, that have not been adequately discussed before. Thoroughly researched and lucidly written, Yip's stimulating study will ignite debates in new directions for both scholars and fans of Chinese-language martial arts cinema.
- Uniform Title
- Martial Arts Cinema and Hong Kong Modernity (Online)
- Book collections on Project MUSE.
- Alternative Title
- Martial Arts Cinema and Hong Kong Modernity (Online)
- Subject
- Martial arts films > China > Hong Kong > History and criticism
- Note
- Revision of author's thesis (Ph. D)--University of Chicago, 2011.
- Issued as part of book collections on Project MUSE.
- Bibliography (note)
- Includes filmography (pages 197-202), bibliographical references (pages 203-214) and index.
- Access (note)
- Access restricted to authorized users.
- Source of Description (note)
- Description based on print version record.
- Contents
- Introduction : martial arts cinema and Hong Kong modernity -- 1. Body semiotics -- 2. In the realm of the senses -- 3. Myth and masculinity -- 4. The difficulty of difference -- 5. Marginal cinema, minor transnationalism -- Epilogue.
- OCLC
- ssj0001845197
- Author
Yip, Man-Fung.
- Title
Martial Arts Cinema and Hong Kong Modernity [electronic resource] : Aesthetics, Representation, Circulation / Man-Fung Yip.
- Imprint
Baltimore, Maryland : Project Muse, 2017 (Baltimore, Md. : Project MUSE, 2015)
Hong Kong [China] : Hong Kong University Press, [2017] (Baltimore, Md. : Project MUSE, 2015)
- Series
Book collections on Project MUSE.
- Bibliography
Includes filmography (pages 197-202), bibliographical references (pages 203-214) and index.
- Access
Access restricted to authorized users.
- Connect to:
- Added Author
Project Muse.
- Other Form:
Print version: 9789888390717