Research Catalog

Jack Kerouac and the traditions of classic and modern haiku

Title
Jack Kerouac and the traditions of classic and modern haiku / Yoshinobu Hakutani.
Author
Hakutani, Yoshinobu, 1935-
Publication
  • Lanham, Maryland : Lexington Books, [2019]
  • ©2019

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StatusFormatAccessCall NumberItem Location
TextUse in library JFE 19-3266Schwarzman Building - Main Reading Room 315

Details

Description
xxvii, 193 pages; 24 cm
Summary
Jack Kerouac and the Traditions of Classic and Modern Haiku is a reading of the haiku collected in Jack Kerouac's Book of Haikus, edited by Regina Weinreich, (2003), one of the two largest collections of English haiku. "Above all," Kerouac wrote in his journal, "a Haiku must be very simple and free of all poetic trickery and makes a little picture and yet be as airy and graceful as a Vivaldi Pastorella." Before trying his hand at composing haiku, Kerouac learned, as did Wright, the theory and technique of haiku from R. H. Blyth, the most influential haiku scholar and critic. Most of Kerouac's haiku reflect eastern philosophies-Confucianism, Buddhist ontology, and Zen-, as do classic haiku. A son of devout French Canadian Catholic parents, the young Kerouac was impressed with Christian doctrine, but later was inspired by Buddhism. In his haiku Kerouc conflates Christian doctrine of mercy with that of Buddhism. Classic haiku taught Kerouac that not only must human beings treat their fellow human beings with respect and compassion, but they must also treat nonhuman beings such as animals, insects, plants, and flowers as their equals. Many of Kerouac's haiku can be read as modern haiku for the technique of beat poetics he applied. All in all, Kerouac's haiku express the worldview that human beings are not at the center of the universe.
Subject
  • Kerouac, Jack, 1922-1969 > Criticism and interpretation
  • Kerouac, Jack, 1922-1969
  • Haiku, American > History and criticism
  • Haiku, American > Buddhist influences
  • Buddhism in literature
  • Zen Buddhism in literature
  • Confucianism in literature
  • Haiku, American
Genre/Form
Criticism, interpretation, etc.
Bibliography (note)
  • Includes bibliographical references (pages 171-176) and indexes.
Contents
Part I. History and criticism -- The genesis and development of haiku in Japan -- Basho and classic haiku tradition -- Yone Noguchi and modernist haiku poetics -- Ezra Pound, imagism, and haiku -- Haiku in English and haiku criticism in America -- Kerouac's haiku and classic haiku poetics -- Kerouac's haiku and Beat poetics -- Kerouac's haiku and One the Road -- Kerouac's haiku and The Dharma Bums -- Part II. Selected haiku by Jack Kerouac -- List of Kerouac's haiku from Book of Haikus.
Call Number
JFE 19-3266
ISBN
  • 1498558275
  • 9781498558273
  • 9781498558280 (canceled/invalid)
LCCN
2018961616
OCLC
1053568051
Author
Hakutani, Yoshinobu, 1935- author.
Title
Jack Kerouac and the traditions of classic and modern haiku / Yoshinobu Hakutani.
Publisher
Lanham, Maryland : Lexington Books, [2019]
Copyright Date
©2019
Type of Content
text
Type of Medium
unmediated
Type of Carrier
volume
Bibliography
Includes bibliographical references (pages 171-176) and indexes.
Other Form:
Ebook version : 9781498558280
Research Call Number
JFE 19-3266
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