Research Catalog
Exposition Zero : vom Atelier in die Avantgardegalerie : zur Konstituierung und Etablierung der Zero-Bewegung in Deutschland am Beispiel der Abendausstellungen, der Galerie Schmela, des studio f, der galerie nota und der d(ato) Galerie
- Title
- Exposition Zero : vom Atelier in die Avantgardegalerie : zur Konstituierung und Etablierung der Zero-Bewegung in Deutschland am Beispiel der Abendausstellungen, der Galerie Schmela, des studio f, der galerie nota und der d(ato) Galerie / Thekla Zell.
- Author
- Zell, Thekla
- Publication
- Wien : VfmK Verlag für moderne Kunst GmbH, [2019]
- ©2019
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| Status | Format | Access | Call Number | Item Location |
|---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Schwarzman Building to submit a request in person. | Text | Use in library | JX 22-3873 | Schwarzman Building - Art and Architecture Room 300 |
Details
- Description
- 432 pages : illustrations (some color), portraits; 24 cm
- Summary
- On the foundation and establishment of the Zero movement in Germany using the example of the evening exhibitions, the gallery Schmela, the studio f, the gallery nota and the d(ato) gallery. Düsseldorf 1957: The artists Heinz Mack and Otto Piene initiate public exhibitions of contemporary art in their private studios in order to declare a new start in art. Within a few years, the loose exhibition community in the ruinous backyard studio becomes the internationally networked avant-garde movement Zero, which included artists such as Günther Uecker, Yves Klein, Jean Tinguely, Almir Mavignier, Uli Pohl and Piero Manzoni.Starting from the public exhibitions of the Zero artists-the Exposition Zero -Thekla Zell examines the largely unnoticed role of German avant-garde gallerists in relation to the foundation and establishment of Zero in the late 1950s and early 1960s. At the center of the investigation are the evening exhibitions organized by Heinz Mack and Otto Piene (Düsseldorf), the Schmela gallery (Düsseldorf), the studio f (Ulm), the nota gallery (Munich) and the d(ato) gallery (Frankfurt a. M.). Far from the sober atmosphere of the white cube postulated by Brian O'Doherty of today's galleries, their gallery spaces formed-whether Schmela's one-room "Salönchen", Kurt Fried's private living room, the basement of the gallery nota or the two rooms of the d(ato) Gallery in a Frankfurt backyard house-popular meeting and important meeting points of a new avant-garde: Zero.
- Subject
- Genre/Form
- History.
- Note
- Based on author's thesis (doctoral)--Christian-Albrechts-Universität zu Kiel, 2018.
- Bibliography (note)
- Includes bibliographical references (pages 388-431).
- Contents
- Einführung -- Die westdeutsche Kunst- und Ausstellungssituation nach 1945 -- Vom Ruinenatelier zu zero - Die Abendausstellungen im Atelier Gladbacher Strasse 69, Düsseldorf -- Alfred Schmela und die Kunst von morgen: Zero im Kontext der Galerie Schmela in Düsseldorf --- Das studio f in Ulm - Knotenpunkt in Süddeutschland -- Dynamo nota - Gerhard von Graevenitz und die Galerie nota in München -- Zero in Frankfurt a.M.: Rochus Kowallek und die Galerien dato und d -- Schlussbetrachtung.
- Call Number
- JX 22-3873
- ISBN
- 9783903320451
- 3903320455
- LCCN
- 9783903320451
- OCLC
- 1196330103
- Author
- Zell, Thekla, author.
- Title
- Exposition Zero : vom Atelier in die Avantgardegalerie : zur Konstituierung und Etablierung der Zero-Bewegung in Deutschland am Beispiel der Abendausstellungen, der Galerie Schmela, des studio f, der galerie nota und der d(ato) Galerie / Thekla Zell.
- Publisher
- Wien : VfmK Verlag für moderne Kunst GmbH, [2019]
- Copyright Date
- ©2019
- Type of Content
- text
- Type of Medium
- unmediated
- Type of Carrier
- volume
- Bibliography
- Includes bibliographical references (pages 388-431).
- Chronological Term
- 1900-1999
- Other Standard Identifier
- 9783903320451
- Research Call Number
- JX 22-3873