Research Catalog

Luchino Visconti and the fabric of cinema

Title
Luchino Visconti and the fabric of cinema / Joe McElhaney.
Author
McElhaney, Joe, 1957-
Publication
  • Detroit : Wayne State University Press, [2021]
  • ©2021

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TextUse in library MWES (Visconti, L.) 21-1278Performing Arts Research Collections - Theatre

Details

Description
viii, 228 pages : illustrations; 24 cm.
Summary
"A central argument of this book is that the cinema of fabric arises throughout film history, from the cinema's origins to the present day, and across various genres, national cinemas, and film movements, as well as within the work of various auteurs. Visconti's origins as a director are within Italian neorealism, the most important film movement immediately following the Second World War. Moreover, the movement's influence has been ongoing, as though confirming Visconti's inflated statement that neorealism was "the beginning of the evolution of cinema as art." Within any full-scale attempt to account for neorealism, Visconti looms large. Fabric is central to neorealism, Visconti's use of it having its own implications within that movement. But these implications extend far beyond neorealism. I am thinking not only of cinema preceding and following Visconti but also of ways in which the literary and plastic arts (so thoroughly embedded in Visconti's practice) have given voice to the expressive and rhetorical possibilities of fabric"--
Series Statement
Queer screens
Uniform Title
Queer screens.
Subject
  • Visconti, Luchino, 1906-1976
  • Motion picture producers and directors > History and criticism
  • Motion picture producers and directors > Italy > Biography
  • Gay motion picture producers and directors > Italy > Biography
  • Gay motion picture producers and directors
  • Motion picture producers and directors
  • Italy
Genre/Form
  • Biographies.
  • Criticism, interpretation, etc.
Bibliography (note)
  • Includes bibliographical references and index.
Contents
Introduction: The Cinema of Fabric, the Fabric of Cinema -- Unveiling -- Origins and Contexts : Mise-en­Scène -- Origins and Contexts : Editing -- 1. Interwoven -- Dirty Laundry -- Bursting at the Seams -- Knitting and Patching -- Bedding Down -- Exchanging -- Shredding -- The Man in the Trench Coat -- 2. The Diva, Draped -- Flowing, Unreeling -- A Constant Vision in Black -- Projected -- Unfurled -- 3. Tight Fits -- Bandages -- Fabric and Fog -- Tied Together -- Dressed for the Weather -- Overall -- 4. Classical Forms -- Behind the Curtain -- Red -- Soiled -- Covering Up -- Tightening -- 5. Decadent Threads -- Prelude : The Witch Burned Alive -- Historical Tapestries -- Flutterings -- Large Patterns -- Maternal Visions -- Child Labor -- Bringing Down the Curtain -- 6. Fading -- Beginnings and Endings -- Lifting the Veil -- Camouflage -- The White Angel -- Deceitful Disguises.
Call Number
MWES (Visconti, L.) 21-1278
ISBN
  • 9780814348260
  • 0814348262
  • 9780814343081
  • 0814343082
LCCN
2020943902
OCLC
1200198270
Author
McElhaney, Joe, 1957- author.
Title
Luchino Visconti and the fabric of cinema / Joe McElhaney.
Publisher
Detroit : Wayne State University Press, [2021]
Copyright Date
©2021
Type of Content
text
Type of Medium
unmediated
Type of Carrier
volume
Series
Queer screens
Queer screens.
Bibliography
Includes bibliographical references and index.
Other Form:
Online version 9780814343098
Research Call Number
MWES (Visconti, L.) 21-1278
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