Research Catalog
Alleviative objects : intersectional entanglement and progressive racism in Caribbean art
- Title
- Alleviative objects : intersectional entanglement and progressive racism in Caribbean art / David Frohnapfel.
- Author
- Frohnapfel, David, 1985-
- Publication
- Bielefeld : Transcript, [2021]
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| Status | Format | Access | Call Number | Item Location |
|---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Schomburg Center to submit a request in person. | Text | Use in library | Sc E 22-1100 | Schomburg Center - Research & Reference |
Available - Can be used on site. Please visit New York Public Library - Schwarzman Building to submit a request in person. | Text | Use in library | JQE 21-666 | Schwarzman Building - Art & Architecture Room 300 |
Details
- Description
- 316 pages : illustrations; 23 cm.
- Summary
- "The global field of contemporary art is shaped by inter-racial conflicts. Alleviative Objects approaches Caribbean art through intersectional entanglements and combines decolonial epistemologies with critical whiteness studies and affect theory in order to rethink Èuro- and U.S.-centric' perspectives on art, race, and class. David Frohnapfel shows how progressive racism in the discourse on Haitian art recenters Whiteness by performing benign identifications with the artist group Atis Rezistans. While the study turns critically towards Whiteness, it also turns away from it and towards the compelling contributions of Haitian curators and artists to the decentralization of contemporary art."--Page 4 of cover
- Series Statement
- Postcolonial studies ; volume 43
- Uniform Title
- Postcolonial studies ; Bd. 43.
- Alternative Title
- Intersectional entanglement and progressive racism in Caribbean art
- Subject
- Gordon, Leah > Criticism and interpretation
- Atis Rezistans (Art collective)
- 2000-2099
- Art, Haitian > 21st century > Social aspects
- Art, Caribbean > 21st century > Social aspects
- Intersectionality (Sociology) > Caribbean Area
- Racism in art
- Race in art
- White people in art
- Ethnic groups in art
- Vodou in art
- Art, Modern > 21st century > Social aspects > Haiti
- Art, Modern > 21st century > Social aspects > Caribbean Area
- Horror in art
- Art, Modern > Social aspects
- Art, Caribbean
- Art, Haitian
- Intersectionality (Sociology)
- Caribbean Area
- Haiti
- Genre/Form
- Criticism, interpretation, etc.
- Academic theses.
- Note
- Thesis (doctoral)--Freie Universität Berlin, 2017.
- Bibliography (note)
- Includes bibliographical references (pages 291-311).
- Contents
- Sharing Silences : Inter-klas Dialogues in the Art Scene of Port-au-Prince -- Conditional Hospitality : Atis Rezistans in European and U.S. American Art Institutions -- Gestures of Generosity : Politics of Emotions at the Ghetto Biennale in Port-au-Prince -- Between Harmony and Anger : Exhibition Spaces by Eugène, Guyodo, Getho, and Papa Da -- Disobedient Musealities : The Master's Tools Revisited -- Resume : Alleviative Objects, or Translating Black Suffering into White Pedagogy
- Call Number
- Sc E 22-1100
- ISBN
- 9783837655926
- 383765592X
- OCLC
- 1227474420
- Author
- Frohnapfel, David, 1985- author.
- Title
- Alleviative objects : intersectional entanglement and progressive racism in Caribbean art / David Frohnapfel.
- Publisher
- Bielefeld : Transcript, [2021]
- Type of Content
- text
- Type of Medium
- unmediated
- Type of Carrier
- volume
- Series
- Postcolonial studies ; volume 43Postcolonial studies ; Bd. 43.
- Bibliography
- Includes bibliographical references (pages 291-311).
- Chronological Term
- 2000-2099
- Other Form:
- PDF version 9783839455920
- Research Call Number
- Sc E 22-1100JQE 21-666