Research Catalog
The presence of the past : temporal experience and the new Hollywood soundtrack
- Title
- The presence of the past : temporal experience and the new Hollywood soundtrack / Daniel Bishop.
- Author
- Bishop, Daniel, 1982-
- Publication
- New York, NY : Oxford University Press, [2021]
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Status | Format | Access | Call Number | Item Location |
---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person. | Text | Use in library | JNE 21-165 | Performing Arts Research Collections - Music |
Details
- Description
- viii, 250 pages : illustrations; 24 cm.
- Summary
- "In the tumultuous era of the late 1960s and early 70s, several currents of American art and culture coalesced around a broad sensibility that elevated and explored the immediacy of lived experience, whether as an aesthetic or political imperative. But in films set in the historical past, this sensibility acquired complex additional resonances by speaking to the ephemerality of the present moment through a framework of history, myth, nostalgia, and other forms associated with temporal alienation or distance. The Presence of the Past explores the implications of this complex moment in Hollywood cinema through several prominent examples released in the years 1967 to 1974. Key genres are explored in detailed case studies: the outlaw film (Bonnie and Clyde and Badlands), the revisionist Western (Butch Cassidy and the Sundance Kid, McCabe and Mrs. Miller), the neo-noir (Chinatown) and the nostalgia film (The Last Picture Show and American Graffiti). In these films, however, "the past" is more than a matter of genre or setting. Rather, it is a richly diverse, often paradoxical concern in its own right, bridging conceptual territories within soundtrack studies, including the sixties pop score, myth criticism, the representation of media technology, and the role of classical music in compilation scoring. Against a broader background of an industry and film culture that were witnessing a stylistic and aesthetic diversification in the use of music and sound design, The Presence of the Past argues for the film-philosophical importance of the soundtrack for cultivating an imagined experiential understanding of the past"--
- Series Statement
- Oxford music/media series
- Uniform Title
- Oxford music/media series.
- Subject
- Genre/Form
- Criticism, interpretation, etc.
- Bibliography (note)
- Includes bibliographical references (pages [231]-241) and index.
- Contents
- Introduction. The Presence of the Past in the New Hollywood -- Bonnie and Clyde and the Aural Imagination of American Counterculture -- The Revisionist Western and the Mythic Past -- The Mythic Elements of Chinatown -- Radio, Memory, and the Past in the Nostalgia Film -- Badlands and the Music of Temporal Imminence.
- Call Number
- JNE 21-165
- ISBN
- 9780190932695
- 0190932694
- 9780190932688
- 0190932686
- LCCN
- 2021008104
- OCLC
- 1238131069
- Author
- Bishop, Daniel, 1982- author.
- Title
- The presence of the past : temporal experience and the new Hollywood soundtrack / Daniel Bishop.
- Publisher
- New York, NY : Oxford University Press, [2021]
- Type of Content
- text
- Type of Medium
- unmediated
- Type of Carrier
- volume
- Series
- Oxford music/media seriesOxford music/media series.
- Bibliography
- Includes bibliographical references (pages [231]-241) and index.
- Other Form:
- Online version: Bishop, Daniel, 1982- Presence of the past [1.] New York : Oxford University Press, 2021. 9780190932718 (DLC) 2021008105
- Research Call Number
- JNE 21-165