Research Catalog
Music theory in late medieval Avignon : Magister Johannes Pipardi
- Title
- Music theory in late medieval Avignon : Magister Johannes Pipardi / Karen M. Cook.
- Author
- Cook, Karen M.
- Publication
- London : Routledge, 2021.
- ©2021
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Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person. | Text | Use in library | JMD 21-140 | Performing Arts Research Collections - Music |
Details
- Description
- xiv, 156 pages : illustrations, charts, facsimiles; 23 cm.
- Summary
- "The manuscript Seville, Biblioteca Colombina y Capitular 5-2-25, a composite of dozens of theoretical treatises, is one of the primary witnesses to late medieval music theory. Its numerous copies of significant texts have been the focus of substantial scholarly attention to date, but the shorter, unattributed, or fragmentary works have not yet received the same scrutiny. In this monograph, Cook demonstrates that a small group of such works, linked to the otherwise unknown Magister Johannes Pipudi, is in fact much more noteworthy than previous scholarship has observed. The not one but two copies of De arte cantus are in fact one of the earliest known sources for the Libellus cantus mensurabilis, purportedly by Jean des Murs and the most widely copied music theory treatise of its day, while Regulae contrapunctus, Nota quod novem sunt species contrapunctus, and a concluding set of notes in Catalan are early witnesses to the popular Ars contrapuncti treatises also attributed to des Murs. Disclosing newly discovered biographical information, it is revealed that Pipudi is most likely one Johannes Pipardi, familiar to Cardinal Jean de Blauzac, Vicar-General of Avignon. Cook provides the first biographical assessment for him and shows that late fourteenth-century Avignon was a plausible chronological and geographical milieu for the Seville treatises, hinting provocatively at a possible route of transmission for the Libellus from Paris to Italy. The monograph concludes with new transcriptions and the first English translations of the treatises."--Publisher's description.
- Series Statement
- Royal Musical Association monographs, 37
- Uniform Title
- Royal Musical Association monographs ; no. 37.
- Alternative Title
- Magister Johannes Pipardi
- Subject
- Pipardi, Johannes
- Muris, Johannes de, approximately 1300-approximately 1350
- Biblioteca Capitular y Colombina (Seville, Spain)
- Biblioteca Capitular y Colombina (Seville, Spain)
- To 1500
- Music theory > France > History > Sources. > To 1500
- Music theory > France > Avignon > History > Sources. > 500-1400
- Music theory > Spain > Seville > History > Sources. > 500-1400
- Copyists > France > Biography
- Copyists > Spain > Seville > Biography
- Music theorists > France > Avignon > Biography
- Music theorists > Spain > Seville > Biography
- Music theory
- France
- Genre/Form
- History.
- Sources.
- Bibliography (note)
- Includes bibliographical refrences (pages [145]-151) and index.
- Contents
- The Seville manuscript -- The practical art of measured song -- The rules of counterpoint -- Introducing Johannes Pipardi -- Appendices. A preliminary list of members of Jean de Blauzac's household ; Texts and translations.
- Call Number
- JMD 21-140
- ISBN
- 0367691280
- 9780367691288
- OCLC
- 1227269865
- Author
- Cook, Karen M., author.
- Title
- Music theory in late medieval Avignon : Magister Johannes Pipardi / Karen M. Cook.
- Publisher
- London : Routledge, 2021.
- Copyright Date
- ©2021
- Type of Content
- text
- Type of Medium
- unmediated
- Type of Carrier
- volume
- Series
- Royal Musical Association monographs, 37Royal Musical Association monographs ; no. 37.
- Bibliography
- Includes bibliographical refrences (pages [145]-151) and index.
- Chronological Term
- To 1500
- Other Form:
- ebook version : 9781000398809
- Research Call Number
- JMD 21-140