Research Catalog

Ghana freedom : Ghana Pavilion at the 58th International Art Exhibition La Biennale di Venezia

Title
Ghana freedom : Ghana Pavilion at the 58th International Art Exhibition La Biennale di Venezia / editor, Nana Oforiatta Ayim ; artists, Felicia Abban, John Akomfrah, El Anatsui, Ibrahim Mahama, Selasi Awusi Sosu, Lynette Yiadom-Boakye.
Publication
  • London : König Books, [2019]
  • ©2019

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StatusFormatAccessCall NumberItem Location
TextUse in library Sc F 23-532Schomburg Center - Research & Reference

Details

Additional Authors
  • Abban, Felicia, 1935-
  • Akomfrah, John
  • Anatsui, El, 1944-
  • Mahama, Ibrahim, 1987-
  • Yiadom-Boakye, Lynette, 1977-
  • Oforiatta-Ayim, Nana
  • Sosu, Selasi Awusi
  • Abban, Felicia
  • Ghana Pavilion, host institution
  • Biennale di Venezia (58th : 2019 : Venice, Italy), host institution
Description
143 pages : illustrations (some colour); 25 cm
Summary
"Titled Ghana Freedom, after the song composed by E.T. Mensah on the eve of the birth of the new nation in 1957, the pavilion curated by Nana Oforiatta Ayim examines the legacies and trajectories of that freedom by six artists, across three generations, rooted both in Ghana and its Diasporas: through archives of objects in large-scale installations by El Anatsui and Ibrahim Mahama; representation and portraiture, both in the studio work of Ghana's first known female photographer Felicia Abban and imagined by painter Lynette Yiadom-Boakye; the relativities of loss and restitution in a three- channel film by John Akomfrah; and, lastly, in a film sculpture by Selasi Awusi Sosu. The elliptically shaped design of the pavilion by Sir David Adjaye explores the intersection of ideas linking the works."--Exhibition website.
Subject
  • Abban, Felicia, 1935- > Exhibitions
  • Akomfrah, John > Exhibitions
  • Anatsui, El, 1944- > Exhibitions
  • Mahama, Ibrahim, 1987- > Exhibitions
  • Sosu, Selasi Awusi, 1976 - > Exhibitions
  • Yiadom-Boakye, Lynette, 1977- > Exhibitions
  • Yiadom-Boakye, Lynette, 1977-
  • Mahama, Ibrahim, 1987-
  • Anatsui, El, 1944-
  • Akomfrah, John
  • Art, Ghanaian > Exhibitions
  • Photographers, Black > Exhibitions
  • Artists, Black > Exhibitions
  • Painters, Black > Exhibitions
  • Art, Ghanaian
  • Photographers, Black
  • Artists, Black
  • Painters, Black
Genre/Form
Exhibition catalogs.
Note
  • Published to accompany the exhibition of the same name held at the Ghana Pavilion, 58th International Art Exhibition of La Biennale di Venezia, 11 May-24 November 2019.
Bibliography (note)
  • Includes bibliographical references.
Contents
Foreword / Nana Addo Dankwa Akufo-Addo -- Introduction / Barbara Oteng Gyasi -- Photo essay / Deo Gratias Photo Studio -- Essays. Ghana freedom / Nana Oforiatta Ayim -- Becoming Ghana / Kwame Anthony Appiah -- Who's afraid of a national pavilion? / Taiye Selasi -- About the artists. Felicia Abban / Adjoa Armah -- John Akomfrah / Hakeem Adam -- El Anatsui / Mae-ling Lokko -- Ibrahim Mahama / Kuukuwa O. Manful -- Selasi Awusi Sosu / Mavis Tetteh-Ocloo -- Lynette Yiadom-Boakye / Larry Ossei-Mensah -- Conversation / Sir David Adjaye and Okwui Enwezor -- About the architecture / Adjaye Associates.
Call Number
Sc F 23-532
ISBN
  • 9783960985594
  • 3960985592
OCLC
1108682257
Title
Ghana freedom : Ghana Pavilion at the 58th International Art Exhibition La Biennale di Venezia / editor, Nana Oforiatta Ayim ; artists, Felicia Abban, John Akomfrah, El Anatsui, Ibrahim Mahama, Selasi Awusi Sosu, Lynette Yiadom-Boakye.
Publisher
London : König Books, [2019]
Copyright Date
©2019
Type of Content
text
still image
Type of Medium
unmediated
Type of Carrier
volume
Bibliography
Includes bibliographical references.
Added Author
Abban, Felicia, 1935- artist.
Akomfrah, John, artist.
Anatsui, El, 1944- artist.
Mahama, Ibrahim, 1987- artist.
Yiadom-Boakye, Lynette, 1977- artist.
Oforiatta-Ayim, Nana, editor.
Sosu, Selasi Awusi, artist.
Abban, Felicia. Works. Selections.
Ghana Pavilion, host institution.
Biennale di Venezia (58th : 2019 : Venice, Italy), host institution.
Research Call Number
Sc F 23-532
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