Research Catalog

Portable panel paintings at the Angevin Court of Naples : mobility and materiality in the Trecento Mediterranean

Title
Portable panel paintings at the Angevin Court of Naples : mobility and materiality in the Trecento Mediterranean / by Sarah K. Kozlowski.
Author
Kozlowski, Sarah K.
Publication
  • Turnhout : Brepols, [2022]
  • ©2022

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StatusFormatAccessCall NumberItem Location
Book/TextUse in library JQF 23-21Schwarzman Building - Art & Architecture Room 300

Details

Description
292 pages : illustrations (chiefly color); 29 cm.
Summary
"Sarah K. Kozlowski's new study of panel painting in fourteenth-century Naples explores the materialities and mobilities of the medium at and beyond the Angevin court, and reframes trecento art in the broader context of artistic circulation, exchange, and transformation across the late medieval and early Renaissance world. This book explores the mobilities and materialities of panel painting at and beyond the Angevin court of Naples in the context of objects, materials, patrons, and painters on the move through the fourteenth-century world. It asks how panel paintings participated in and thematized patterns of circulation and exchange; how they extended the artistic and political geography of the court far beyond Naples itself; how their materialities intersected with other mediums from woven silk to precious metalwork to stone; and how painters' formal and technical experimentation combined with painted panels' real and imagined itineraries to create meaning. The volume traces a series of painted panels through networks of patronage, production, gift giving, transport, and replication. It locates the making, movement, and meaning of these works in the overlapping contexts of Angevin dynastic and territorial ambitions, including the family's stakes in the Holy Land; patterns of collecting and adapting authoritative icons; practices of royal female patronage; and painters' engagement with the limits of the medium of panel painting itself. Each chapter weaves together sustained analysis of paintings' pictorial and material structures, close reading of primary sources, and questions of art's materialities and mobilities. Moving between single objects and larger patterns, between the local and the global, this study presents new research on individual works even as it reframes trecento art in the broader context of artistic circulation, exchange, and transformation across the late medieval and early Renaissance world."--
Series Statement
Trecento forum ; IV
Uniform Title
Trecento forum ; v. 4.
Subject
  • 1300-1399
  • Panel painting > Italy > Naples
  • Art, Medieval > Italy > Naples
  • Panel painting, Italian > 14th century
  • Art, Medieval
  • Panel painting
  • Panel painting, Italian
  • Italy > Naples
Bibliography (note)
  • Includes bibliographical references (pages 223-281) and index.
Contents
Panel paintings in and beyond fourteenth-century Naples : mobility and materiality -- Mobility and materiality in Simone Martini's Saint Louis of Toulouse crowning Robert of Anjou -- Icons in Angevin Naples between past and present, the monumental and the mobile -- Artists, patrons, and objects on the move : diptychs for the Angevin court -- Paint, stone, flesh : portable multipart panel paintings with porphyry exteriors -- Portable panel paintings, royal women as patrons, and court art beyond the court -- Materiality, mobility, and revelation in the Stuttgart Apocalypse Panels.
Call Number
JQF 23-21
ISBN
  • 9782503596952
  • 2503596959
OCLC
1314893742
Author
Kozlowski, Sarah K., author.
Title
Portable panel paintings at the Angevin Court of Naples : mobility and materiality in the Trecento Mediterranean / by Sarah K. Kozlowski.
Publisher
Turnhout : Brepols, [2022]
Copyright Date
©2022
Type of Content
text
still image
Type of Medium
unmediated
Type of Carrier
volume
Series
Trecento forum ; IV
Trecento forum ; v. 4.
Bibliography
Includes bibliographical references (pages 223-281) and index.
Chronological Term
1300-1399
Research Call Number
JQF 23-21
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