- Additional Authors
- EBSCOhost
- Description
- 1 online resource.
- Subject
- Note
- Chapter 1: Visual InterruptionsChapter 2: Vernacular PresenceChapter 3: Imagined GenealogiesChapter 4: Memory WallsChapter 5: Absent GazesChapter 6: Never Again!Chapter 7: Disappeared (Epilogue).
- Bibliography (note)
- Includes bibliographical references and index.
- Reproduction (note)
- Source of Description (note)
- Description based on online resource; title from digital title page (viewed on January 26, 2023).
- Contents
- Intro -- Acknowledgements -- Contents -- Abbreviations -- List of Figures -- Chapter 1: Visual Interruptions -- Visual Politics and Photographic Memory Art -- The Index and the Beholder -- Visual Interruptions in Memory Art -- Identification and Disidentification Photographs -- Positioning the Viewer -- Between Affect and Critical Inquiry -- Taking Position on a Global Historical Memory -- References -- Chapter 2: Vernacular Presence -- Early Human Rights Archives -- Oppositional Photography in the 1980s -- A Post-Dictatorship Photographic Aesthetic -- Family Photography and the Family Trope
- Marking Irreparable Family Loss -- Vernacular Photographies in Love against Oblivion -- Your Photographs -- Beyond Identification: Empathic Vision -- Techniques of Interrupted Viewing -- Visual Politics, Memory, and Gallery Installations -- References -- Chapter 3: Imagined Genealogies -- The National Photo-Album -- The Argentine Family as Contested Trope -- From Victimhood to Photographic Memory Art, 1997-2016 -- Lucila Quieto's Filiación (2013-2016) -- Obama-Macri and the Fortieth Anniversary -- The End of Photography and the Trace of History
- Reviewing Arqueología de la ausencia (Archaeology of Absence) -- Sitios de Memoria (2008-2012) (Memory Sites)42 -- Family Frames and Geopolitical Histories -- References -- Chapter 4: Memory Walls -- Photographic Counter-Monuments -- Urban Interventions in Chile under Military Rule -- The Continued Relevance of Luz Donoso's Interventions -- Formulación 335 (Formulation 335) -- Interventions in the Street and the Endless Banner -- The Rise and Fall of the Memory Wall -- Other Walls of Faces -- The Afterlife of the Memory Wall: Nécrosis (2015) -- Aesthetic Reframing and the Critical Gaze
- Imprints of Historical Decay -- References -- Chapter 5: Absent Gazes -- Turning the Page in Post-Dictatorship Uruguay -- Visual Politics and the Photography of Protest -- Reframing the Archive in Uruguayan Art Photography -- Absent Gazes -- From Exile to Memory -- Absent Gazes in the Street (2008-2009) -- Faces of the Other -- Hauntology and Justice -- Rejecting the Face -- A National Work of Mourning -- Nomadic Images, Memorials and Shopping Centres -- References -- Chapter 6: Never Again! -- Guatemala. Never Again: Texts and Images -- Visual Clarification
- The Invisibility of Guatemala's Past -- On the Global Stage -- An Angelic Intervention -- Of Documents and Monuments -- Projected Faces in Guatemala City -- An International Aesthetic of Urban Intervention -- The Global Angel and Holocaust Discourse -- From Universal Victimhood to the Angel of the Present -- References -- Chapter 7: Disappeared (Epilogue) -- Photojournalism, Revolution and Celebrity -- The Ideological End(S) of Photojournalism -- Global Disappearance -- Interrupting Affect. Interrupting Time? -- References -- Index
- ISBN
- LCCN
- 10.1007/978-3-031-17590-9
- OCLC
- om2951871346
- Author
Rojinsky, David, author.
- Title
Viewing photography in post-dictatorship Latin America : visual interruptions, 1997-2016 / David Rojinsky.
- Publisher
Cham, Switzerland : Palgrave Macmillan, [2022]
- Type of Content
text
- Type of Medium
computer
- Type of Carrier
online resource
- Bibliography
Includes bibliographical references and index.
- Reproduction
Electronic reproduction. Ipswich, MA Available via World Wide Web.
- Connect to:
- Added Author
EBSCOhost
- Other Form:
Print version: 9783031175893
- Other Standard Identifier
10.1007/978-3-031-17590-9 doi