Research Catalog

At the crossroads of music and social justice

Title
At the crossroads of music and social justice / edited by Brenda M. Romero, Susan M. Asai, David A. McDonald, Andrew G. Snyder, and Katelyn E. Best.
Publication
Bloomington, Indiana : Indiana University Press, [2022]

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StatusFormatAccessCall NumberItem Location
TextUse in library JME 23-244Performing Arts Research Collections - Music

Details

Additional Authors
  • Romero, Brenda M., 1949-
  • Asai, Susan Miyo, 1952-
  • McDonald, David A., 1976-
  • Snyder, Andrew (Ethnomusicologist)
  • Best, Katelyn E.
  • Society for Ethnomusicology. Crossroads Section for Difference and Representation.
Description
xiii, 306 pages : illustrations (black and white); 24 cm.
Summary
"Music is powerful and transformational, but can it spur actual social change? A powerful collection of essays, At the Crossroads of Music and Social Justice studies the meaning of music within a community to investigate the intersections of sound and race, ethnicity, religion, gender, sexual orientation, and differing abilities. Ethnographic work from a range of theoretical frameworks uncovers and analyzes the successes and limitations of music's efficacies in resolving conflicts, easing tensions, reconciling groups, promoting unity, and healing communities. This volume is rooted in the Crossroads Section for Difference and Representation of the Society for Ethnomusicology, whose mandate is to address issues of diversity, difference, and underrepresentation in the society and its members' professional spheres. Activist scholars who contribute to this volume illuminate possible pathways and directions to support musical diversity and representation. At the Crossroads of Music and Social Justice is an excellent resource for readers interested in real-world examples of how folklore, ethnomusicology, and activism can, together, create a more just and inclusive world"--
Series Statement
Activist encounters in folklore and ethnomusicology
Uniform Title
Activist encounters in folklore and ethnomusicology.
Subject
  • Applied ethnomusicology > Congresses
  • Ethnomusicology > Social aspects > Congresses
  • Music > Political aspects > Congresses
  • Social justice > Congresses
  • Applied ethnomusicology
  • Music > Political aspects
  • Social justice
  • Ethnomusicology
  • Social aspects
  • Music
Genre/Form
Conference papers and proceedings.
Note
  • "This book emerged as the result of the Crossroads Section's inaugural prize for best papers on music and social justice at the 2018 SEM conference in Albuquerque, New Mexico. The three prize winners--David A. McDonald, Katelyn Best, and Andrew Snyder--joined Brenda M. Romero and Susan M. Asai on the editorial board for this volume, which would feature chapters based on the other presentations submitted for the prizes."--Preface.
Bibliography (note)
  • Includes bibliographical references, discographies, and index.
Contents
Preface / Andrew G. Snyder, Katelyn E. Best -- Introduction : pathways toward a justice-oriented ethnomusicology / David A. McDonald -- Part I: Truth telling and listening lovingly. Diversity on repeat : the deceptive cadence of social domination in ethnomusicology / Kyra D. Gaunt -- Social justice and my work as a music scholar, teacher, and artist / Steven Loza -- Punk and politics and transforming musical academe / Brenda M. Romero -- Going forward with vigilance : American Indian music is always there / Charlotte W. Heth -- Deliver me from danger, Èşù-Elẹgbára! : musical offerings in social justice / Paul Austerlitz -- Part II: Radical inclusivity. Ethnocentrism 2.0 : hearing-centrism, inclusivity, and musical expression in deaf culture / Katelyn E. Best -- Pink Menno hymn sings : queerness, inclusivity and the Mennonite Church / Katie J. Graber -- Unsettling Euro-American conceptions of race in the Egyptian independent music scene / Darci Sprengel -- Reclaming Nanook of the north : Tanya Tagaq's sonic and performative counterpoints to Inuit stereotypes / Ho Chak Law -- "If I could go back in time" : rethinking popular culture, social justice, and the compassionate gaze in Palestine / David A. McDonald -- Part III. Coalition building. promoting social justice through traditional Irish music : a new model for applied research / Alexandria Carrico -- The sonic politics of interracial coalitions / Susan M. Asai -- "¡Vamos a pelear en la guerra!" : musical manifestations of coalition building in the South Texas Chicano Movement / Erin E. Baker -- Part IV. Direct action. "Music is liberation" : the Brass Liberation Orchestra and direct action / Andrew G. Snyder -- Ecological frictions and borderless futures : art and activism on a sailing ship / Rebekah E. Moore -- Raising the imperative for direct action / Susan M. Asai -- Circling back on direct action : on difference and representation / Brenda M. Romero.
Call Number
JME 23-244
ISBN
  • 9780253064769
  • 0253064767
  • 9780253064776
  • 0253064775
  • 9780253064783 (canceled/invalid)
LCCN
2022042859
OCLC
1293478940
Title
At the crossroads of music and social justice / edited by Brenda M. Romero, Susan M. Asai, David A. McDonald, Andrew G. Snyder, and Katelyn E. Best.
Publisher
Bloomington, Indiana : Indiana University Press, [2022]
Type of Content
text
Type of Medium
unmediated
Type of Carrier
volume
Series
Activist encounters in folklore and ethnomusicology
Activist encounters in folklore and ethnomusicology.
Bibliography
Includes bibliographical references, discographies, and index.
Added Author
Romero, Brenda M., 1949- editor.
Asai, Susan Miyo, 1952- editor.
McDonald, David A., 1976- editor.
Snyder, Andrew (Ethnomusicologist), editor.
Best, Katelyn E., editor.
Society for Ethnomusicology. Crossroads Section for Difference and Representation.
Other Form:
Online version: At the crossroads of music and social justice Bloomington, Indiana : Indiana University Press, 2022 9780253064783 (DLC) 2022042860
Research Call Number
JME 23-244
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