Research Catalog
The women's music movement : music as feminist praxis, 1973-1980
- Title
- The women's music movement : music as feminist praxis, 1973-1980 / by Paul Ambrose Shaw III.
- Author
- Shaw, Paul Ambrose, III
- Publication
- Leiden ; Boston : Brill, [2023]
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| Status | Format | Access | Call Number | Item Location |
|---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person. | Text | Use in library | JME 23-338 | Performing Arts Research Collections - Music |
Details
- Description
- ix, 130 pages : music; 25 cm.
- Summary
- "Scholarship on artistic output during second wave feminism (SWF) primarily reflects art-genres such as visual art, performance art, literature, and poetry. In The Women's Music Movement: Music as Feminist Praxis, 1973-1980, Paul Ambrose Shaw III contends the women's music movement (WMM) was a vibrant locus of feminist activity during SWF but received comparatively less scholarly attention. Specifically, Shaw conducts a content analysis of five songs recorded between 1973 and 1980. As such, he draws on musical elements and structures, poetic and lyrical devices, personal insights from the artists, and feminist theory to explore the following important questions: What can we learn about second wave feminist movement through the lens of the women's music movement? Was the women's music movement, as some scholars and activists assert, simply a cultural and lifestyle movement, or an impactful locus of feminist praxis? Through a detailed analysis of five songs recorded by stalwarts of WMM-Meg Christian, Cris Williamson, Ferron, Holly Near, and Linda Tillery-Shaw argues for the importance of WMM as a vibrant center of struggle, growth, and creativity that serves as a model for modern social movement cultural activity"--
- Series Statement
- Arts, creativities, and learning environments in global perspectives, 2589-9813 ; volume 8
- Uniform Title
- Arts, creativities, and learning environments in global perspectives ; v. 8.
- Subject
- Genre/Form
- Criticism, interpretation, etc.
- Bibliography (note)
- Includes bibliographical references (pages [123]-128) and index.
- Contents
- Introduction. Why This Study? -- Feminism and Women's Music : Definitions, Context, and Terms -- Considerations : Epistemology, Feminist Criteria, Gender and Pop -- Music as Social, Personal, and Political -- Analysis Process : Limitations, the Songwriters, and the Songs -- Meg Christian's "Valentine Song" -- Ferron's "Ain't Life a Brook" -- Cris Williamson's "Sister" -- Holly Near's "Riverboat" -- Linda Tillery's "Womanly Way" -- Women's Music Movement Conclusion.
- Call Number
- JME 23-338
- ISBN
- 9789004534964
- 9004534962
- 9789004534971
- 9004534970
- 9789004534988 (canceled/invalid)
- LCCN
- 2022048711
- OCLC
- 1347375763
- Author
- Shaw, Paul Ambrose, III, author.
- Title
- The women's music movement : music as feminist praxis, 1973-1980 / by Paul Ambrose Shaw III.
- Publisher
- Leiden ; Boston : Brill, [2023]
- Type of Content
- text
- Type of Medium
- unmediated
- Type of Carrier
- volume
- Series
- Arts, creativities, and learning environments in global perspectives, 2589-9813 ; volume 8Arts, creativities, and learning environments in global perspectives ; v. 8.
- Bibliography
- Includes bibliographical references (pages [123]-128) and index.
- Other Form:
- Online version: Shaw, Paul Ambrose, III. Women's music movement Leiden ; Boston : Brill, 2023 9789004534988 (DLC) 2022048712
- Research Call Number
- JME 23-338