Research Catalog
Rubens.
- Title
- Rubens. Study heads and anatomical studies. Anatomical studies / by Michael W. Kwakkelstein ; edited by Nils Büttner and Brecht Vanoppen.
- Author
- Kwakkelstein, Michael W., 1963-
- Publication
- London : Harvey Miller Publishers, [2021]
- ©2021
Items in the Library & Off-site
Filter by
1 Item
Status | Format | Access | Call Number | Item Location |
---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Schwarzman Building to submit a request in person. | Text | Use in library | (C.R.) MCH R8.C82 pt. 20 (1) | Schwarzman Building - Art & Architecture Room 300 |
Details
- Additional Authors
- Description
- 218 pages : illustrations (some color); 27 cm.
- Summary
- "The central theme of Rubens's paintings is the human figure, often represented nude or partially clothed and involved in dramatic action. As a history painter, Rubens's acclaimed skill in rendering the human body whether male or female, lean or fleshy, mature in years or young, animated or lifeless, vigorous or diseased, heroic or cowering, sensuous or decrepit, idealised or blemished and imperfect enabled him to vie with the greatest artists ever known, while creating increasing demand for his work among Europe's intellectual, cultural, religious and political lite. His mastery in depicting human figures and their dynamic movements suggests that he followed the example of Leonardo da Vinci (1452-1519), Michelangelo Buonarroti (1475-1564) and other Italian artists he admired, who made extensive studies of human anatomy. As pointed out by two recent perceptive scholars, however, the robust, muscular male nudes in action who appear in so many of Rubens's narrative paintings are often anatomically inaccurate. Moreover, and as will become clear in this volume, Rubens's approach to anatomical study was not closely similar to that of any of his forbears. In many respects his ways of working are comparable to those of Michelangelo, who used the knowledge he acquired through dissection not to pursue verisimilitude but to invent the anatomy of his figures according to his own idea of physical beauty, strength and expression. Yet unlike Italian Renaissance artists such as Leonardo, Michelangelo, and Alessandro Allori (1535-1607), Rubens did not perform or witness dissections and seems to have rarely studied from the live nude model. What, then, was the nature and extent of Rubens's study of human anatomy? The present volume will offer an answer to that question, while also establishing when and where most of his anatomical works were made and reassessing the issue of their intended purpose." --
- Series Statement
- Corpus Rubenianum Ludwig Burchard ; part XX (1)
- Uniform Title
- Corpus Rubenianum Ludwig Burchard ; pt. 20 (1)
- Alternative Title
- Study heads and anatomical studies
- Anatomical studies
- Subject
- Genre/Form
- Catalogues raisonnés.
- Bibliography (note)
- Includes bibliographical references (pages 185-197) and indexes.
- Call Number
- (C.R.) MCH R8.C82 pt. 20 (1)
- ISBN
- 9780905203805
- 0905203801
- LCCN
- https://id.rijksmuseum.nl/301319334
- OCLC
- 1333217904
- Author
- Kwakkelstein, Michael W., 1963- author.
- Title
- Rubens. Study heads and anatomical studies. Anatomical studies / by Michael W. Kwakkelstein ; edited by Nils Büttner and Brecht Vanoppen.
- Publisher
- London : Harvey Miller Publishers, [2021]
- Copyright Date
- ©2021
- Type of Content
- textstill image
- Type of Medium
- unmediated
- Type of Carrier
- volume
- Series
- Corpus Rubenianum Ludwig Burchard ; part XX (1)Corpus Rubenianum Ludwig Burchard ; pt. 20 (1)
- Bibliography
- Includes bibliographical references (pages 185-197) and indexes.
- Local Note
- Catalogues Raisonnés Collection (NYPL, Art & Architecture)
- Added Author
- Rubens, Peter Paul, 1577-1640, artist.Büttner, Nils, editor.Vanoppen, Brecht, editor.
- Other Standard Identifier
- https://id.rijksmuseum.nl/301319334 uri
- Research Call Number
- (C.R.) MCH R8.C82 pt. 20 (1)