Research Catalog

The British sitcom spinoff film

Title
The British sitcom spinoff film / Stephen Glynn.
Author
Glynn, Stephen
Publication
Cham, Switzerland : Palgrave Macmillan, an imprint of Springer Nature Switzerland, [2024]

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StatusFormatAccessCall NumberItem Location
TextUse in library MFL 24-280Performing Arts Research Collections - Theatre

Details

Description
xi, 273 pages : illustrations; 22 cm
Summary
"This book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms. Regularly maligned as the nadir of British film production and marginalised as a last resort for the financially-bereft industry during the 1970s, this study demonstrates that the sitcom spinoff film has instead been a persistent and important presence in British cinema from the 1940s to the present day, and includes (occasional) works with distinct artistic merit. Alongside an investigation of the economic imperative underpinning these productions, i.e. the exploitation of proven product with a ready-made audience, it is argued that, with a longevity stretching from Arthur Askey and his wartime Band Waggon (1940) to the crew of Kurupt FM and their recent People Just Do Nothing: Big in Japan (2021), the British sitcom spinoff can be interpreted as following a full generic 'life cycle'. Starting with the 'formative' stage where works from Hi Gang! (1941) to I Only Arsked! (1958) establish the genre's characteristics, the spinoff genre moves to its 'classic' stage where, secure for form and content, it enjoys considerable popular success with films like Till Death Us Do Part (1969), On the Buses (1971), The Likely Lads (1976) and Rising Damp (1980); the genre's revival since the late-1990s reveals a more 'parodic' final stage, with films like The League of Gentlemen's Apocalypse (2005) adopting a consciously self-reflective mode. It is also posited that the sitcom spinoff film is a viable source for social history, with the often-stereotypical re-presentations of characters and events an (often blatant) ideological metonym for the concerns of wider British society, notably in issues of class, race, gender and sexuality." --
Subject
  • Comedy films > Great Britain > History and criticism
  • Comedy films
  • Great Britain
Genre/Form
Criticism, interpretation, etc.
Bibliography (note)
  • Includes blibliographical references (pages 255-261), filmography (pages 249-253) and index.
Call Number
MFL 24-280
ISBN
  • 3031412214
  • 9783031412219
OCLC
1389877611
Author
Glynn, Stephen, author.
Title
The British sitcom spinoff film / Stephen Glynn.
Publisher
Cham, Switzerland : Palgrave Macmillan, an imprint of Springer Nature Switzerland, [2024]
Type of Content
text
Type of Medium
unmediated
Type of Carrier
volume
Bibliography
Includes blibliographical references (pages 255-261), filmography (pages 249-253) and index.
Research Call Number
MFL 24-280
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