Research Catalog
Helen Khal : Gallery One and Beirut in the 1960s
- Title
- Helen Khal : Gallery One and Beirut in the 1960s / edited by Carla Chammas, Rachel Dedman, and Omar Kholeif ; [foreword by Christine Tohmé].
- Publication
- [London, England] : Sternberg Press, [2023]
- ©2023
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Status | Format | Access | Call Number | Item Location |
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Not available - Please for assistance. | Text | Use in library | JQF 24-727 | Schwarzman Building - Art & Architecture Room 300 |
Details
- Additional Authors
- Description
- 175 pages : illustrations; 26 cm
- Summary
- Helen Khal: Gallery One and Beirut in the 1960s is a reflective exhibition catalogue; part archive, as well as a living testament to the late Helen Khal (1923-2009). A polymath, an artist, educator, and writer, Khal was also the co-founder of Gallery One, the first modern and contemporary art gallery in Lebanon, which opened its doors to the public in Beirut, in 1963. The catalogue follows on from an exhibition initiated by Carla Chammas and curated by Chammas and Rachel Dedman as part of "Home Works 8: A Forum on Cultural Practices", opening its doors at the Sursock Museum, Beirut in October 2019. The exhibition, like the catalogue, detailed Helen's life and practice as a catalytic lens through which to explore the work of a group of artists whom she was close to, in life and in art, including: Chafic Abboud, Yvette Achkar, Etel Adnan, Huguette Caland, Simone Fattal, Farid Haddad, Saloua Raouda Choucair, Aref El Rayess, and Dorothy Salhab-Kazemi. From here, the publication seeks to address the exhibition's themes of love, sex, and motherhood, the relationship between visual art and the literary landscape of 1960s and 1970s Beirut, and the galleries and studios in which public collaborations and private kinships were forged. Taking an intimate approach to a fabled period, Helen Khal: Gallery One and Beirut in the 1960s, unfolds a rich picture of the friendships, connections, modes of exchange, common concerns, and differing approaches of some of the best-known and least-remembered artists of the mid-twentieth century in Lebanon.
- Alternative Title
- Gallery One and Beirut in the 1960s
- At the still point of the turning world, there is the dance
- Subject
- Genre/Form
- History.
- Note
- Published on the occasion of the exhibiton "At the still point of the turning world, there is the dance," curated by Carla Chammas and Rachel Dedman, Sursock Museum, Beirut.
- Contents
- Prologue / Carla Chammas -- Foreword / Christine Tohmé -- Helen Khal: friendship and worldbuilding, part 1 -- The journey of an exhibition: a beginning / Carla Chammas -- The exhibition "At the still point of the turning world, there is the dance" -- In detail: At the still point of the turning world, there is the dance / Rachel Dedman -- Helen Khal: friendship and worldbuilding, part 2 -- All things unsettled, remain / Omar Kholeif -- Biographies -- Acknowledgments / Carla Chammas -- Afterword Helen Khal: energy, painting, and worldbuilding / Omar Kholeif.
- Call Number
- JQF 24-727
- ISBN
- 1915609216
- 9781915609212
- OCLC
- 1378930533
- Title
- Helen Khal : Gallery One and Beirut in the 1960s / edited by Carla Chammas, Rachel Dedman, and Omar Kholeif ; [foreword by Christine Tohmé].
- Publisher
- [London, England] : Sternberg Press, [2023]
- Copyright Date
- ©2023
- Type of Content
- textstill image
- Type of Medium
- unmediated
- Type of Carrier
- volume
- Chronological Term
- 1900-1999
- Added Author
- Chammas, Carla, editor.Dedman, Rachel, editor.Kholeif, Omar, editor.Ṭuʻmah, Kirīstīn, author of foreword.Matḥaf Sursuq, host institution.
- Added Title
- At the still point of the turning world, there is the dance
- Research Call Number
- JQF 24-727