Research Catalog

Conservation of contemporary art : bridging the gap between theory and practice

Title

Conservation of contemporary art : bridging the gap between theory and practice / Renée van de Vall, Vivian van Saaze, editors.

Author

Vall, Renée van de, 1956-

Publication

Cham, Switzerland : Springer, [2024]
©2024

Supplementary Content

https://public.ebookcentral.proquest.com/choice/PublicFullRecord.aspx?p=31063543

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Request for On-site Use Not available - Please for assistance.	Text	Use in library	JQE 24-524	Schwarzman Building - Art & Architecture Room 300

Details

Additional Authors

Description

viii, 401 pages : illustrations (chiefly color); 25 cm.

Summary

This book investigates whether and how theoretical findings and insights in contemporary art conservation can be translated into the daily work practices of conservators or, vice versa, whether and how the problems and dilemmas encountered in conservation practice can inform broader research questions and projects. For several decades now, the conservation of contemporary art has been a dynamic field of research and reflection. Because of contemporary art's variable constitution, its care and management calls for a fundamental rethinking of the overall research landscape of museums, heritage institutions, private-sector organizations and universities. At first, this research was primarily pursued by conservation professionals working in or with museums and other heritage organizations, but increasingly academic researchers and universities became involved, for instance through collaborative projects. This book is the result of such collaboration. It sets out to bridge the "gap" between theory and practice by investigating conservation practices as a form of reflection and reflection as a form of practice.

Series Statement

Studies in art, heritage, law and the market, 2524-7433 ; volume 9

Uniform Title

Studies in art, heritage, law and the market ; v. 9.

Subject

Art, Modern > 21st century > Conservation and restoration

Contents

Introduction to the Volume / Renée van de Vall and Vivian van Saaze -- Part I Theorizing Conservation as a Reflective Practice -- Artworks in Art Museums / Theodore Schatzki -- Doing Ethics in Practice: SBMK Platform Meetings / Renée van de Vall -- Part II The Identity of the Art Object -- The Enfolding Object of Conservation: Artwork Identity, Authenticity, and Documentation / Brian Castriota -- When Old Was New: Rethinking Traditional and Contemporary Art and Their Paradigms of Care / Cybele Tom -- Languages of Conservation: A Comparison between Internet-based Art and Built Heritage / Claudia Roeck -- No Longer Artwork Marina Valle Noronha -- Part III Professional Roles and Identities: Conservators, Curators, and Artists -- Visible Issues. Insights into the Professional Identity of the Conservator / Rita Macedo -- Conceptual Art and Conservation / Sanneke Stigter -- Reinstalling Thomas Hirschhorn's Doppelgarage (2002): Bridging Gaps between Theory, Practice and Emotion in the Preservation of Installation Artworks / Maike Grün -- The Increasing Role of Artists' Estates in the Preservation of Contemporary Art / Anna Schäffler -- Part IV Documentation and Decision-making in Theory and Practice -- Documenting hybrid mixed media art forms: the role of the audience / Gabriella Giannachi -- Sharing Knowledge in Art Conservation: From Repository Building to Research Publishing / Dušan Barok -- Collections of (An)archives: Towards a New Perspective on Institutional Collecting of Contemporary Art and the Object of Conservation / Aga Wielocha -- Decision-Making for the Conservation and Presentation of Thermoelectronic Chewing Gum (1970), a Political Environment by Wolf Vostell / -- Julie Giebeler, Gunnar Heydenreich, and Andrea Satorius -- Part V The Role of Research in the Art Museum -- The Living Process of Conserving Performance: Theory and Practice in the Conservation of Performance-based Artworks at Tate / Louise Lawson, Duncan Harveyy, Ana Ribeiro, and Hélia Marçal -- Integrating Front-of-House with Behind-the-Scenes Practice in Contemporary Art Conservation / Caitlin Spangler-Bickell -- Is Trust Enforceable? The Conservation of Contemporary Artworks from a Socio-legal Perspective / Zoë Miller and Anke Moerland -- Making Time / Pip Laurenson.

Call Number

JQE 24-524

ISBN

3031423569
9783031423567

OCLC

1390680894

Author

Vall, Renée van de, 1956- editor, writer of introduction, contirbutor.

Title

Conservation of contemporary art : bridging the gap between theory and practice / Renée van de Vall, Vivian van Saaze, editors.

Publisher

Cham, Switzerland : Springer, [2024]

Copyright Date

Type of Content

text

Type of Medium

unmediated

Type of Carrier

volume

Series

Studies in art, heritage, law and the market, 2524-7433 ; volume 9

Studies in art, heritage, law and the market ; v. 9. 2524-7433

Connect to:

https://public.ebookcentral.proquest.com/choice/PublicFullRecord.aspx?p=31063543

Added Author

Saaze, Vivian van, 1975- editor, writer of introduction.

Schatzki, Theodore R., contributor.

Castriota, Brian, contributor.

Tom, Cybele, contributor.

Roeck, Claudia, contributor.

Noronha, Marina, 1981- contributor.

Macedo, Rita, contributor.

Stigter, Sanneke, contributor.

Grün, Maike, contributor.

Schäffler, Anna, contributor.

Giannachi, Gabriella, contributor.

Barok, Dušan, contributor.

Wielocha, Agnieszka B., 1980- contributor.

Giebeler, Julie, contributor.

Heydenreich, Gunnar, contributor.

Satoriusm Andrea, contributor.

Lawson, Louise, contributor.

Harvey, Duncan, contributor.

Ribeiro, Ana, contributor.

Marçal, Hélia, contributor.

Spangler-Bickell, Caitlin, contributor.

Miller, Zoe, contributor.

Moerland, Anke, contributor.

Laurenson, Pip, contributor.

Springer (Firm), publisher.

Other Form:

Online version: Conservation of contemporary art : bridging the gap between theory and practice. Cham : Springer, 2024 9783031423574 (OCoLC)1416981280

Research Call Number

JQE 24-524

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