Research Catalog

Title

Papers read at the 16th Meeting, Vienna, Austria, 2011 / [edited by Robert Klugseder].

Author

International Musicological Society. Study Group "Cantus Planus." Meeting (16th : 2011 : Vienna, Austria)

Publication

Wien : ÖAW, Kommission für Musikforschung ; Purkersdorf : Hollinek, 2012.

Items in the Library & Off-site

Details

Additional Authors

• Klugseder, Robert.
• Österreichische Akademie der Wissenschaften. Kommission für Musikforschung.

Description

458 pages : illustrations, facsimiles, music; 24 cm

Alternative Title

Cantus Planus, Vienna, 2011

Subject

• Music > 500-1400 > History and criticism > Congresses
• Chants > Congresses
• Hymns > History and criticism > Congresses

Bibliography (note)

• Includes bibliographical references.

Language (note)

• Contributions in English, German and French.

Contents

• Newly discovered Antiphoners in northern Portugal / Diogo Alte da Veiga -- The Anonymus Vaticanus and the Paleofrankish Script / Charles M. Atkinson -- Tone-series in ecclesiastical chant / Terence Bailey -- The Dominican Antiphoner from the Badija Franciscan Monastery near Korčula: The Question of Provenance / Hrvoje Beban -- Beobachtungen zur Seckauer Prozessionspraxis anhand des Liber ordinarius A-Gu 756 von 1345 - Cum vero processionem facimus quasi hostibus armati obviamus / Inga Behrendt -- Interrelations between theory and practice. Influence of theorists' pattern-antiphons on initial formulas of some introits and graduals / Robert Bernagiewicz -- Famula Dei - textliche und musikalische Besonderheiten in den Messproprien heiliger Frauen in adiastematischen Handschriften aus St. Gallen und Einsiedeln / Dirk van Betteray -- A (Brief) Introduction to Post-Tridentine Pontifical Chants / James Borders -- Examples of Liturgical Polyphony from Dalmatia / Hana Breko Kustura -- The Web of Sources for Planctus ante nescia / Charles E. Brewer -- Processing from Lateran to Hierusalem and Back: A Unique Ritual for the Cross Relic / Clyde Brockett -- Mensura as a technical term in chant theory / John Caldwell -- Beyond diastematy: specific and semitonic indications in the gradual of Saint-Yrieix (Paris, Bibliothèque Nationale de France, Latin 903, XIth century) / Christelle Cazaux-Kowalski -- Traditionalism and New Influences in an 18th Century Gradual of the Zagreb Cathedral with a Special Focus on the Allelluia Repertory / Orsolya Csomó -- Die coniunctae des Corpus Hollandrinum in den mitteleuropäischen Choralhandschriften / Zsuzsa Czagány -- The question of plainchant notation in French Post-Tridentine sources -- Towards a specific semiology / Cécile Davy-Rigaux -- Newly Discovered Source of Ordinary Chants in Cantus Planus and Cantus Fractus: A Preliminary Report / Joseph Dyer -- Die Evangeliumsantiphonen der Donnerstage in der Fastenzeit / David Eben -- Die liturgischen Handschriften aus St. Lambrecht (Steiermark) / Stefan Engels --
• A Portuguese plainchant treatise / Manuel Pedro Ferreira -- Medieval Music through the Technological Looking-Glass / Carmen Julia Gutierrez -- Corpus monodicum - Die einstimmige Musik des lateinischen Mittelalters / Andreas Haug -- Venite et videte: First Results in the Optical Neume Recognition Project / Kate Helsen, with Inga Behrendt and Alan Sexton -- Cantus Planus Regensburg : Web Archive for Gregorian Chant / David Hiley and Robert Klugseder -- The Sequence Sancti Spiritus in the Nidaros Tradition / Marit Johanne Hoye -- Assonance, Variation, Repetition: Editing Prosulas to the Gloria Chant / Gunilla Iversen -- The Tridentinum as a Watershed in the Evolution of Mass cycles / Gábor Kiss -- Medieval musical manuscripts and fragments in the Austrian National Library (ÖNB), Vienna / Robert Klugseder -- Renewal, Revival, Rejuvenation: a New Vision for the Cantus Database / Jan Koláček and Debra Lacoste -- Compositions of Credo: Influences of Latin settings on the respective Byzantine ones of Cretan origin (16th-17th cent.) / Flora Kritikou -- Elastic Melodies: Variants in Responsory Verses / Debra Lacoste -- Cultural Intersections in the Transmission of Office Hymns in the Southern Low Countries / Sarah Ann Long -- Liturgical-musical sources in the votive processions of the bishop of Padua, Pietro Barozzi (1443-1507) / Antonio Lovato -- Toward a Methodology for Analyzing the Old Hispanic Responsories / Rebecca Maloy and Emma Hornby -- Habitable surface, habitable space: Graphic contour and melodic constraints for Buddhist chant in early Japan Elizabeth Markham -- Vind. Suppl. gr. 121: ein Fragment eines Tetraevangeliars mit ekphonetischer Notation in der Österreichischen Nationalbibliothek / Sandra Martani -- Das von Johannes Winterburger gedruckte Antiphonar aus dem Jahr 1519: ein Antiphonale Pataviense? / David Merlin -- From the rite of the Oblation to the offering scene in the Officium Stellae musico-liturgical drama. Reges Tharsis et insulae munera offerent, reges Arabum et Saba dona adducent / Nausica Morandi --
• Digital Editing of chant - tools in progress / Stefan Johannes Morent -- "Fecit" quattuor historie? / Ann-Marie Nilsson -- Antiphonal Psalmody in Western Monasticism from the Fourth to the Seventh Century / Edward Nowacki -- Traditio Iohannis Hollandrini --Tonare / Ágnes Papp -- Non Pitch-Specific Notation in Practice and Transcription: Beneventan Chant in campo aperto and in voce / Matthew Peattie -- Musical references in Serbian hagiography (Žitija) and liturgical poetry (Srbljak) / Ivana Perković -- Zur Vorgeschichte des lateinischen Acht-Tonarten-Systems / Andreas Pfisterer -- A Pair of Manuscripts transmitting the Triodion and Pentekostarion in the Russian Studite Tradition - Identifying the prototypes / Svetlana Poliakova -- Gesang an der Peripherie : Die Choralhandschriften in der Bibliothek des Augustiner-Chorherrenstiftes Vorau / Franz Karl Prasl -- Un foyer d'avant-garde dans l'introduction du chant gregorien en Castille: La cathedrale de Palencia (1034-1080) / Juan Pablo Rubio -- Political changes and music writing styles in 11th century Bologna / Cesarino Ruini -- The Application of the CANTUS Analysis Tool to the Neumed Breviary VI E 4c from St George's Convent, Prague Tereza Seifertova -- Ruotlib's notated missal and its historical background / Jurij Snoj -- Notation als Spiegel der Veranderungen in der "nunquam reformata" Tradition am Beispiel der mittelalterlichen Antiphonarien aus der Kartause Žiče (Seiz/Seitz) / Katarina Šter --
• Das Sequenzenrepertoire der osterreichischen Benediktiner / Gyorgyi Taborszky -- Musical liturgical fragments in the Historical Municipal Archive of Casperia (Latium - Italy) / Nicola Tangari -- Castles of faith: The transmission of the Kyrie trope set Deus solus et immensus as an example of liturgical exegesis in the orthodoxy Arturo Tello Ruiz-Perez -- Inedite fonti italiane della Passione in notazione ritmico-proporzionale / Diego Toigo -- The Hymnic Corpus in the Manuscript Plainsong Choirbooks at Segovia Cathedral - Tradition, Re-elaboration and New Composition / Santiago Ruiz Torres -- The conception of the chant of the Other : evidence from medieval literary sources Christian Troelsgard -- Pitch, Rhythm and Text-Setting in Palaeofrankish Notation: The Case of London, British Library, Harley MS 3019 / Giovanni Varelli -- Liturgical contradictions and political consistency in the liturgico-musical tradition of St. Mark's, Venice Anna Vildera -- Offertoriale Arnesti: A Forthcoming Edition of Plainchant Offertories with Verses from Bohemian Sources Jana Vozkova -- The New Web site www.chantdiscography.com: A Demonstration / Jerome F. Weber -- Untersuchungen zur lateinischen Tradition des byzantinischen Akathistos Hymnus / Gerda Wolfram -- Die musikalisch-liturgischen Quellen des Hochmittelalters aus dem osterreichischen Benediktinerstift Admont / Hanna Zuhlke.

ISBN

• 3851193369
• 9783851193367

OCLC

• ocn823237462
• 823237462
• SCSB-14516113

Owning Institutions

Columbia University Libraries