Research Catalog

Redefining eclecticism in early modern Bolognese painting : ideology, practice, and criticism / Daniel M. Unger.

Title
Redefining eclecticism in early modern Bolognese painting : ideology, practice, and criticism / Daniel M. Unger.
Author
Unger, Daniel M.,
Publication
Amsterdam : Amsterdam University Press, 2019.

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TextUse in library ND614 .U64 2019gOff-site

Details

Description
231 pages, 8 unnumbered pages of plates : illustrations (some color); 25 cm.
Summary
This book focuses on the unique nature of early modern Bolognese painting that found its expression in stylistic diversity. The flourishing of different stylistic approaches in the Mannerist paintings of the previous generation evolved, at the turn the seventeenth century, in the work of the Bolognese painters into an approach best described as eclecticism, characterized by the combination of two or more styles in a single work of art. Eclectic was a major innovation and major contribution to the history of art. But it then also became a critical term that suffered much negative press. The book therefore also traces the role of eclecticism as a concept in the evolution of criticism and scholarship about the Bolognese school of painting over 250 years, showing how the dramatically vacillating attitudes towards this concept shaped the historical view of the Bolognese painters, ultimately having a tremendous dampening impact on our understanding of seventeenth-century art.
Series Statement
Visual and material culture, 1300-1700 ; v.8
Uniform Title
Visual and material culture, 1300-1700 ; v.8.
Subjects
Genre/Form
History.
Contents
Introduction -- 1. Defining Eclecticism -- 2. Ideology -- 3. Practice -- 4. Criticisim -- Conclusion: The Eclectic Approach -- Epilogue: Eclecticism in the Roman Chapel.
ISBN
  • 9462986010
  • 9789462986015
Owning Institutions
Columbia University Libraries