Research Catalog

The Yoruba artist : new theoretical perspectives on African arts

Title
The Yoruba artist : new theoretical perspectives on African arts / edited by Rowland Abiọdun, Henry J. Drewal, and John Pemberton III.
Publication
Washington : Smithsonian Institution Press, [1994], ©1994.

Items in the Library & Off-site

Filter by

1 Item

StatusFormatAccessCall NumberItem Location
TextUse in library N7397 N5 Y82Off-site

Holdings

Details

Additional Authors
  • Abiodun, Rowland.
  • Drewal, Henry John.
  • Pemberton, John, 1928-2016.
  • Museum Rietberg.
Description
ix, 275 pages : illustrations (some color), map; 29 cm
Summary
  • The cultural legacy of the Yoruba people of Nigeria and Benin is one of Africa's oldest and richest, extending for more than nine centuries. Among the most prized achievements of African art are the naturalistic terracotta sculptures produced for the royal Yoruba courts from the eleventh to the fifteenth centuries. Also renowned for their beauty and craftsmanship are Yoruba ceremonial swords, elaborate beaded crowns, wood and ivory carvings, embroidered textiles, jewelry, and architectural works.
  • With twenty-seven color reproductions and eighty-one photographs - many published for the first time - accompanying essays by eighteen of the world's foremost Yoruba cultural historians, this book offers the most complete exploration of Yoruba artists and their work to date.
  • Documenting the full spectrum of Yoruba culture, this definitive work extends beyond the visual arts to examine, for the first time, the Yoruba use of such oral traditions as singing and chanting, as well as drumming, dance, and other artistic expressions, including an Ifa divination ritual that involves an interplay of arts.
  • The Yoruba Artist presents the latest in field-research and critical methodology, pointing to new directions in African cultural scholarship. The book explains the intricate linkage of a variety of Yoruba art forms and the role of oriki (praise poetry) songs in the transmission of knowledge. In one essay, Wande Abimbola illustrates how an extended praise poem serves as a source for knowledge concerning a famous eighteenth-century carver in the Old Oyo area.
  • In another, Oba Solomon Babayemi discusses the relationship between oral history preserved by singers and drummers and the architectural history of the palace at Gbongan.
  • In appraising individual figures such as Olowe of Isethis century's most important Yoruba artist - the contributors underscore particular oral and visual codes that identify authorship. Discussing the transition to current cultural forms, the essayists also show how contemporary artists in West Africa and the Americas have revitalized Yoruba aesthetic traditions.
Subject
  • Arts, Yoruba > Congresses
  • Arts, Black > Nigeria > Congresses
  • Arts, Black > Benin > Congresses
Note
  • Based on a 1992 symposium held at the Museum Rietberg Zürich.
Bibliography (note)
  • Includes bibliographical references (p. 251-266).
Contents
  • 1. Art, Identity, and Identification: A Commentary on Yoruba Art Historical Studies / John Picton -- 2. Introduction: An African(?) Art History: Promising Theoretical Approaches in Yoruba Art Studies / Rowland Abiodun -- 3. Stylistic Analysis and the Identification of Artists' Workshops in Ancient Ife / Frank Willett -- 4. Ifa Trays from the Osogbo and Ijebu Regions / Hans Witte -- 5. The Ulm Opon Ifa (ca. 1650): A Model for Later Iconography / Ezio Bassani -- 6. Anonymous Has a Name: Olowe of Ise / Roslyn Adele Walker -- 7. In Praise of Metonymy: The Concepts of "Tradition" and "Creativity" in the Transmission of Yoruba Artistry over Time and Space / Olabiyi Babalola Yai -- 8. Introduction: In Praise of Artistry / John Pemberton III -- 9. Lagbayi: The Itinerant Wood Carver of Ojowon / Wande Abimbola -- 10. The Role of Oriki Orile and Itan in the Reconstruction of the Architectural History of the Palace of Gbongan / Oba Solomon Babayemi.
  • 11. Polyvocality and the Individual Talent: Three Women Oriki Singers in Okuku / Karin Barber -- 12. Drumming for the Egungun: The Poet-Musician in Yoruba Masquerade Theater / Akin Euba -- 13. Embodied Practice/Embodied History: Mastery of Metaphor in the Performances of Diviner Kolawole Ositola / Margaret Thompson Drewal -- 14. Introduction: Yoruba Art and Life as Journeys / Henry John Drewal -- 15. Beyond Aesthetics: Visual Activism in Ile-Ife / Michael D. Harris -- 16. The Transformation of Ogun Power: The Art of Rufus Ogundele / Jutta Stroter-Bender -- 17. The Three Warriors: Atlantic Altars of Esu, Ogun, and Osoosi / Robert Farris Thompson -- 18. Yoruba-American Art: New Rivers to Explore / John Mason.
ISBN
  • 1560983396 (cloth : alk. paper)
  • 156098340X (paper : alk. paper)
LCCN
93020763
OCLC
  • 28583131
  • ocm28583131
Owning Institutions
Columbia University Libraries