Research Catalog
Pedro Salinas' theater of self-authentication
- Title
- Pedro Salinas' theater of self-authentication / Stephanie L. Orringer.
- Author
- Orringer, Stephanie L. (Stephanie Limberg), 1940-
- Publication
- New York : P. Lang, [1995], ©1995.
Items in the Library & Off-site
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Status | Format | Access | Call Number | Item Location |
---|---|---|---|---|
Text | Request in advance | PQ6635.A32 Z77 1995 | Off-site |
Holdings
Details
- Description
- 137 pages; 24 cm.
- Summary
- This analysis examines the theater of Pedro Salinas, twentieth-century poet and critic, in relation to his lyric prose, novels, and essays. Orringer argues that his plays emerge as a panorama of quests for individual identity amid the deceptive appearances of the world. Active imagination marks Salinas' protagonists, whether they are facing adversity, fighting evil, or pursuing compassion.
- Surprising coincidences, catalytic agents which speed the action, and a new aesthetic order of reality, which Salinas calls "sure change," distinguish his theater from his other works. With new rigor, relationships are established between Salinas as a dramatic experimenter, and authors such as Cervantes, Calderon, and Unamuno.
- Series Statement
- American university studies. Series II, Romance languages and literature ; vol. 199
- Uniform Title
- American university studies. Series II, Romance languages and literature ; v. 199.
- Subjects
- Bibliography (note)
- Includes bibliographical references (p. [109]-115) and index.
- Contents
- Ch. 1. The Author's Search for Authentic Being -- Ch. 2. Character Self-Authorship Through Interpretation -- Ch. 3. Good and Evil, or Disclosure and Disguise of Essential Being -- Ch. 4. Universal Love as a Bridge to Authenticity.
- ISBN
- 082041994X (alk. paper)
- LCCN
- 94028221
- OCLC
- 30734802
- ocm30734802
- Owning Institutions
- Columbia University Libraries