Research Catalog

Ingrid Pollard : carbon slowly turning

Title
Ingrid Pollard : carbon slowly turning / edited by Fay Blanchard and Anthony Spira. Essays by Anna Arabindan-Kesson, Cheryl Finley, Paul Gilroy, Mason Leaver-Yap and Gilane Tawadross.
Author
Pollard, Ingrid
Publication
London] : Philip Wilson Publishers, 2022.

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StatusFormatAccessCall NumberItem Location
TextUse in library N6797.P59 A4 2022gOff-site

Details

Additional Authors
  • Blanchard, Fay
  • Spira, Anthony
  • Arabindan-Kesson, Anna
  • Finley, Cheryl
  • Gilroy, Paul
  • Leaver-Yap, Mason
  • Tawadross, Gilane
  • Milton Keynes Gallery, host institution.
  • Turner Contemporary (Arts organization : Margate, England), host institution.
Description
191 pages : illustrations (some colour), portraits; 25 cm
Summary
Ingrid Pollard is a British media artist and researcher who has developed a social practice concerned with representation, using portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. While she became known for her photographic series, she has also throughout her career been uncovering unseen and hidden histories in a variety of practices from printmaking, drawing, mixed media and film. Ingrid Pollard: Carbon Slow Turning situates Pollard's practice in a wider context and weaves together her personal story and Caribbean heritage with broader narratives of post war black settlement and photographic history. Continuing the theme of exposing what is hidden, Pollard challenges in her works the representation and derogatory portrayals of the 'black figure'. For four decades, Pollard's important photographic collages have offset traditionally idyllic representations of Britain with unseen legacies of xenophobia and exclusion. Pastoral Interlude (1988) places the Black figure within an imagined picturesque setting, undermining perceptions of 'urban' and 'authentic rural'. Seaside Series (1989) combines cyphers of coastal tourism with stories of historic and contemporary immigration to the UK. More recently, Seventeen of Sixty-Eight (2019) documents how the African body is represented in popular signwriting. Despite Pollard's work being held in several national collections and discussed in every publication on black artists in Britain, the artist is little known to the general public. There is no doubt that her practice and achievements are nationally significant and this first monograph seeks to widen her exposure.
Alternative Title
Carbon slowly turning.
Subject
  • Pollard, Ingrid > Exhibitions
  • Pollard, Ingrid
  • 1900-1999
  • Art, British > 20th century > Exhibitions
  • Art britannique > 20e siècle > Expositions
  • Art, British
Genre/Form
  • exhibition catalogs.
  • Exhibition catalogs.
  • Catalogues d'exposition.
Note
  • Published to accompany an exhibition held at MK Gallery, Milton Keynes, 12 March - 29 May, 2022 and Turner Contemporary, Margate, 9 July - 25 September, 2022.
Bibliography (note)
  • Includes bibliographical references.
Call Number
N6797.P59
ISBN
  • 1781301190
  • 9781781301197
OCLC
  • 1288136988
  • on1288136988
  • SCSB-14531216
Owning Institutions
Columbia University Libraries