Research Catalog

Title

The bondman : An antient storie / by Philip Massinger; edited from the first quarto with introduction and notes by Benjamin Townley Spencer ...

Author

Massinger, Philip, 1583-1640.

Publication

Princeton : Princeton University Press for the University of Cincinnati, 1932.

Items in the Library & Off-site

Holdings

Details

Additional Authors

• Spencer, Benjamin Townley
• University of Cincinnati. Charles Phelps Taft Memorial Fund.
• Cincinnati (Ohio). University. Graduate School.
• University of Cincinnati. Graduate School.

Description

v p., 1 ℓ., 266 p. facsim.; 24 cm.

Summary

The play is set in ancient Syracuse (though in typical Jacobean manner, Massinger gives his characters contemporaneous dress and manners: the ancient Syracusans wear ruffs around their necks and behave like Jacobeans). On the eve of a Carthaginian invasion, the citizens of the city have invited Timoleon from Corinth to command their defensive effort. Timoleon is welcomed by prominent Syracusans, including Archidamus, his son Timagoras, and his daughter Cleora. Leosthenes, a friend of Timagoras, is Cleora's suitor (though not her only one). In the play's early scenes, Massinger presents a picture of Syracuse as a deeply corrupt society. Cleon, a rich citizen, is a selfish glutton; the mature women are sexually rapacious, one even attempting to seduce her own stepson; and the city's slaves are badly abused. Members of the younger generation, however, are hungry for the reform that Timoleon's arrival promises. Leosthenes is a valiant but insecure and jealous young man; when he takes his leave of Cleora, he expresses his jealousy, and Cleora, resentful of his mistrust of her virtue, vows to wear a blindfold and to remain mute until Leosthenes returns from the war. Timoleon organizes the citizens' military forces and marches them out of the city -- and the city's slaves ready for revolt. They are led by Pisander, a gentleman from Thebes who is masquerading as Marullo, a slave in Archidamus's household. The ensuing slave revolt is managed by Pisander so that the citizens, while treated roughly, are not slaughtered; it turns out that Pisander's motive in starting the revolt is to further his own suit for Cleora's hand in marriage. Aided by Cleora's personal slave Timandra, Pisander pleads his suit to the blindfolded and mute Cleora, and so effectively that she is touched by his appeal. The forces under Timoleon are victorious over the Carthaginians; but when they march home in triumph, they find the slaves in charge of the city and the gates closed against them. Their assault on the city fails; but when the slaves venture out to attack them, the masters manage to terrify the slaves with their whips and overcome the resistance. Once they re-take the city, the Syracusans round up the rebellious slaves, including Pisander/Marullo; but Cleora causes a scandal by taking his part, against the vocal opposition of Leosthenes and Timagoras. In a trial before Timoleon, Cleora pleads her case, and Pisander reveals his true identity as a prominent, well-known, well-respected Theban noble; it is also revealed that Cleora's slave Timandra is actually Pisander's sister Statilia. Leosthenes had previously been engaged to marry Statilia, but had turned his back on her. In the play's denouement, Pisander and Cleora and Leosthenes and Statilia are united as couples, and the rebel slaves are re-absorbed into a more humanely ordered Syracusan society.

Uniform Title

Project Muse UPCC books

Subject

• 1660-1700
• English drama

Note

• With facsimile of original t.-p., London, 1624.
• Half-title: Published with the aid of the Charles Phelps Taft Memorial Fund and the Graduate School.
• "This edition was presented [by B.T. Spencer] to the Department of English of the University of Cincinnati as a doctoral dissertation [1930]."--Pref.

Bibliography (note)

• Bibliography: p. 262-266.

Processing Action (note)

• committed to retain

LCCN

^^^32004026^//r37

OCLC

• 352508
• SCSB-11061033

Owning Institutions

Harvard Library