Basingstoke ; New York : Palgrave Macmillan on behalf of the British Film Institute, 2008.
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Details
Description
119 p. : ill. (some col.); 19 cm.
Summary
"Cleo de 5 a 7, Agnes Varda's classic work of 1962 depicts, in near real time, ninety minutes in the life of Cleo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early Fourth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda, the only major female French director of the period, never considered herself a member of the core Cahiers du Cinema group of critics-turned-filmmakers." "Ungar provides a close reading of the film and situates it in its social, political and cinematic context, tracing Varda's early career as a student of art history and a photographer, the history of post-war French film, and the lengthy Algerian war to which Cleo's health concerns and ambitions to become a pop singer make her more or less oblivious. His study is the first to set a reading of Cleo's formal and technical complexity alongside an analysis of its status as a document of a specific historical moment."--Jacket.
Introduction. Sense of Time, Sense of Place -- Between photography and film -- Absolute beginner? -- The pregnant gaze -- A film about time and space -- By the clock and on the map -- Painting Fear Paris -- How many Cleos?