Part 1 Special Section: The Achievement of Robert Weimann, edited by David Schalkwyk: Performance in Shakespeare's theatre: ministerial and/or magisterial?, Robert Weimann; Traction control, K. Ludwig Pfeiffer; The spectator, the text, and Ezekiel, Dennis Kennedy; Text and performance, reiterated: a reproof valiant or lie direct?, David Schalkwyk; Shakespeare performance studies, W.B. Worthen; Author's voice? Acting with authority in early references to Shakespeare, William N. West; The author's accomplice, or the unsearchable complicities of players in the making of Elizabethan drama, John Gillies; Disciplining 'unexpert people': children's dramatic practice and page/stage tensions in early English theatre, Jeanne McCarthy; Bifold Adam: Shakespeare, Milton and the actor's voice, Nora Johnson; Weimann and Shakespeare among the neoclassicals, Robert Hornback.; Part 2: Rusting, bright, and resting weapons, a textual crux, and closure in Romeo and Juliet, R. Levin; Circes in Ephesus, Atsuhiko Hirota; Lucretius, Marlowe, Shakespeare, R. Alan Shoaf; Twice-tellied tales, Ruth Morse; Bibliography; Index.