Research Catalog

Title

Narcissus reflected : the myth of Narcissus in surrealist and contemporary art / David Lomas.

Author

Lomas, David

Publication

Edinburgh : Fruitmarket Gallery ; Chicago : Distributed for Reaktion Books in the USA and Canada by the University of Chicago Press, [2011]

Items in the Library & Off-site

Details

Additional Authors

Fruitmarket Gallery.

Description

176 p. : ill. (some col.); 26 cm.

Summary

The myth of Narcissus, as told by Ovid, of a beautiful youth infatuated by his reflection in a stream, who pines away and is metamorphosed into a flower, is open to many interpretations and has captivated a, perhaps surprising, number of modern and contemporary artists. This group exhibition examines the potency of the Narcissus myth in art, photography, installation, film and video. From Salvador Dali's painting Metamorphosis of Narcissus (1937) to Pipilotti Rist's video installation Sip My Ocean (1996), the exhibition keeps in play the full variety of meanings of the myth, exploring, and seeking to explain, the enduring appeal of the Narcissus subject in art. In surrealism, the use of the Narcissus myth reflects a preoccupation with myth in general, and Freudian psychoanalysis (in which the concept of narcissism plays a central part). Forming the centrepiece of the exhibition, Salvador Dali's famous painting is shown for the first time alongside the manuscript of the artist's poem of the same name, and preparatory drawings showing the evolution of the work. A counterpoint to Dali's use of the Narcissus myth is San Francisco- based artist Jess', Narkissos (1976-91). This major work references the fin-de-sie`cle, a period which saw the introduction of the term 'narcissism' to psychology. Jess' principally collage practice was inspired by Max Ernst and surrealism, but also shares affinities with Pop and appropriation art. While his works are in major public collections in the United States, he has rarely been shown outside his home country and this is an opportunity to introduce his work to UK audiences through his most outstanding, and best-known, work. It also shows the legacy of surrealism in contemporary art, and the ongoing potency of the Narcissus myth to artists. The exhibition also includes a selection of surrealist photography and film, exploring ideas of doubling of the self, mirroring and reflection, which all relate clearly to the Narcissus myth. These ideas are restaged in Yayoi Kusama's immersive installation Narcissus Garden of 1966, whose kaleidoscopic techniques of fusion, duplication and distortion of the body chime with the work of Pipilotti Rist and, like that work, are reminiscent of surrealist engagement with Narcissus.

Subject

• Narcissus (Greek mythological character) > Art > Exhibitions
• Narziss
• 2000-2099
• Narcissism in art > Exhibitions
• Surrealism > Exhibitions
• Art, Modern > 21st century > Exhibitions

Genre/Form

• exhibition catalogs.
• Exhibition catalogs
• Exhibition catalogs.
• Catalogues d'exposition.

Note

• Published to accompany the exhibition Narcissus Reflected held at the Fruitmarket Gallery, Edinburgh, 22 April-26 June 2011.

Bibliography (note)

• Includes bibliographical references (p. 173).

Processing Action (note)

• committed to retain

Contents

Metamorphoses of Narcissus -- Myth and masquerade -- Homoeros unprofaned -- Narcissus Garden -- The pool of Narcissus -- A note on Salvador Dalí's poem, Metamorphosis of Narcissus -- Salvador Dalí, Metamorphosis of Narcissus.

ISBN

• 9780947912994 (pbk.)
• 0947912991 (pbk.)

LCCN

^^2010681475

OCLC

• 739919446
• SCSB-10167002

Owning Institutions

Harvard Library