Research Catalog
Coming to terms with crisis : disorientation and reorientation in the novels of Ian McEwan / Swantje Möller.
- Title
- Coming to terms with crisis : disorientation and reorientation in the novels of Ian McEwan / Swantje Möller.
- Author
- Möller, Swantje.
- Publication
- Heidelberg : Winter, c2011.
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Status | Format | Access | Call Number | Item Location |
---|---|---|---|---|
Text | Use in library | PR6063.C4 Z75 2011 | Off-site |
Holdings
Details
- Description
- 188 p.; 25 cm.
- Series Statement
- Anglistische Forschungen ; Bd. 415
- Uniform Title
- Anglistische Forschungen ; Heft 415.
- Subject
- Genre/Form
- Criticism, interpretation, etc.
- Note
- Slightly revised version of the author's dissertation--Universität Köln, 2008.
- Bibliography (note)
- Includes bibliographical references (p. [191]-204).
- Processing Action (note)
- committed to retain
- Contents
- Introduction -- Disorientation and reorientation in postmodernity: positions in philosophy, pscyhology, and literary theory -- Postmodernity as an age of disorientation: contingency and heterogeneity -- Orientation and identity: inescapable frameworks and the dialogical self -- Literature and ethics: texts as others -- Contingency and crisis: The child in time, Enduring love, and Atonement -- "The written word can be the very means by which the self and the world connect": storytelling as a means of orientation -- Intertextuality and the role of literary tradition -- "Two cultures": negotiating conflicting epistemological frameworks -- "The simple truth that other people are as real as you": taking perspectives, experiencing alterity -- Transitions and transformations: The innocent, Black dogs, and On Chesil Beach -- Leaving innocence behind: knowledge and orientation in The Innocent, Black dogs, and On Chesil Beach -- "Not quite the comfort it had been to a preceding generation": Englishness in transition -- Dealing with "civilization's worst moods": history, anamnesis, violence -- Mapping spaces, mapping selves -- Failure of communication and "the power of words to make the unseen visible" -- Self and society: The cement garden, The comfort of strangers, Amsterdam, and Saturday -- Order, disorder, and disorientation in The cement garden, the comfort of strangers, Amsterdam, and Saturday -- "Fascinating violations": power struggles and the imposition of order -- "Conspiracies of silence" and talking cures: dialogue as encounter with the other -- "When anything can happen, everything matters": responsibility, agency, and solidarity -- Conclusion.
- ISBN
- 3825358801
- 9783825358808
- Owning Institutions
- Harvard Library