Cambridge ; New York : Cambridge University Press, 2012.
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Details
Description
xii, 343 p. : ill.; 23 cm.
Summary
Constructivism in Film examines the radical experiments of early Soviet filmmakers, with special emphasis on the relationship of Constructivist film to contemporary literature, painting, architecture, and design. Surveying the socio-political aspects of the Constructivist movement as well, Vlada Petrie then analyzes in detail the most important silent film produced during this era, Dziga Vertov's The Man with the Movie Camera (1929). --Book Jacket.
Includes bibliographical references, filmography and index.
Processing Action (note)
committed to retain
Contents
Dziga Vertov and the Soviet avant-garde movement -- Thematic meaning of The man with the movie camera -- Formal structure of The man with the movie camera -- Descriptive score for The man with the movie camera.