Research Catalog

Title

Romantic revisions in novels from the Americas / Lauren Rule Maxwell.

Author

Maxwell, Lauren Rule.

Publication

West Lafayette, Ind. : Purdue University Press, c2013.

Items in the Library & Off-site

Holdings

Details

Description

ix, 177 p.; 23 cm.

Summary

• "Why are twentieth-century novelists from former British colonies in the Americas preoccupied with British Romantic poetry? In Romantic Revisions, Lauren Rule Maxwell examines five novels--Kincaid's Lucy, Atwood's The Handmaid's Tale, McCarthy's Blood Meridian, Fitzgerald's The Great Gatsby, and Harris's Palace of the Peacock--that contain crucial scenes engaging British Romantic poetry. Each work adapts figures from British Romantic poetry and translates them into an American context. Kincaid relies on the repeated image of the daffodil, Atwood displaces Lucy, McCarthy upends the American arcadia, Fitzgerald heaps Keatsian images of excess, and Harris transforms the albatross. In her close readings, Maxwell suggests that the novels reframe Romantic poetry to allegorically confront empire, revealing how subjectivity is shaped by considerations of place and power.^
• In explaining how the novels adapt figures from British Romantic poetry, Romantic Revisions provides scholars and students working in postcolonial studies, Romanticism, and English-language literature with a new look at politics of location in the Americas."--Publisher's website.
• Returning to British Romantic poetry allows the novels to extend the Romantic poetics of landscape that traditionally considered the British subject's relation to place. By recasting Romantic poetics in the Americas, these novels show how negotiations of identity and power are defined by the legacies of British imperialism, illustrating that these nations, their peoples, and their works of art are truly postcolonial. While many postcolonial scholars and critics have dismissed the idea that Romantic poetry can be used to critique colonialism, Maxwell suggests that, on the contrary, it has provided contemporary writers across the Americas with a means of charting the literary and cultural legacies of British imperialism in the New World. The poems of the British Romantics offer postcolonial writers particularly rich material, Maxwell argues, because they characterize British influence at the height of the British empire.^

Series Statement

Comparative cultural studies ; 30

Uniform Title

Project Muse UPCC books

Subject

• American fiction > 20th century > History and criticism
• Literatur
• Romanticism > Influence
• Romantik
• USA

Genre/Form

Criticism, interpretation, etc.

Bibliography (note)

• Includes bibliographical references (p. 158-173) and index.

Processing Action (note)

• committed to retain

Contents

Wordsworthian intertexts in Kincaid's Lucy -- Specters of US empire in Atwood's fiction -- McCarthy's Blood Meridian, Byron, and the US frontier -- Keatsian echoes and US materialism in The Great Gatsby -- The Coleridgean poetics of palace of the peacock -- Conclusion: British legacy in the Americas.

ISBN

• 9781557536419 (pbk. : alk. paper)
• 1557536414 (pbk. : alk. paper)
• 9781612492612 (epdf)
• 1612492614 (epdf)
• 9781612492629 (epub)
• 1612492622 (epub)

LCCN

^^2012039049

Owning Institutions

Harvard Library