Research Catalog

Kazimir Malevich and the Russian avant-garde : featuring selections from the Khardzhiev and Costakis collections : Stedelijk Museum Amsterdam, 19 October 2013-2 February 2014 / [editors, Sophie Tates ... et al. ; texts, Linda S. Boersma ... et al. ; translation, Lisa Holden, Lee Mitzman].

Title
Kazimir Malevich and the Russian avant-garde : featuring selections from the Khardzhiev and Costakis collections : Stedelijk Museum Amsterdam, 19 October 2013-2 February 2014 / [editors, Sophie Tates ... et al. ; texts, Linda S. Boersma ... et al. ; translation, Lisa Holden, Lee Mitzman].
Author
Malevich, Kazimir Severinovich, 1878-1935
Publication
Köln : Verlag der Buchh. Walther König, c2013.

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StatusFormatAccessCall NumberItem Location
TextRequest in advance N6999.M34 A4 2013Off-site

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Details

Additional Authors
  • Tates, Sophie, 1977-
  • Boersma, Linda S.
  • Holden, Lisa.
  • Mitzman, Lee.
  • Kelly, Karen J., 1964-
  • Rutten, Bart
  • Imanse, Geurt
  • Shatskikh, Aleksandra Semenovna
  • Holden, Lisa
  • Mitzman, Lee K.
  • Amsterdam (Netherlands). Stedelijk Museum.
  • Amsterdam (Netherlands). Stedelijk Museum, host institution.
Description
240 p. : ill. (chiefly col.), ports.; 29 cm.
Summary
In 1915, Kazimir Malevich (1878-1935) radically transformed the course of twentieth-century art with his "Black Square" painting and his manifesto "From Cubism to Suprematism." These works espoused a new art of pure geometricism, intended to be universally comprehensible regardless of cultural origin. Although he is famed for his rigorous pursuit of the "non-objective," Malevich in fact explored many strands of painting, embracing at various stages Impressionism, Symbolism, Fauvism and Cubism, as well as traditional Russian folk art. Drawing on the collections of Nikolai Khardzhiev and Georges Costakis--the two leading collectors of Russian avant-garde art, whose collections were largely assembled at a time when abstract art was banned in the Soviet Union--this catalogue traces the breadth of Malevich's career through his oil paintings, gouaches, drawings, sculptures and designs for opera and film. All phases of his development are represented here, from his early Impressionist-style work to his iconic Suprematist pieces, as well as his lesser-known figurative paintings and works on paper. These are contextualized alongside work by Malevich's contemporaries, such as Marc Chagall, Wassily Kandinsky, Natalia Goncharova, Vera Pester, Ivan Puni and Mikhail Meno.
Subject
  • Malevich, Kazimir Severinovich, 1878-1935 > Exhibitions
  • 1900-talet
  • Avant-garde (Aesthetics) > Russia > Exhibitions
  • Art, Abstract > Russia > Exhibitions
  • Books, Illustrated
Genre/Form
Exhibition catalogs
Note
  • Catalog of an exhibition held at the Stedelijk Museum Amsterdam, Oct. 19, 2013-Feb. 2, 2014.
Bibliography (note)
  • Includes bibliographical references.
Processing Action (note)
  • committed to retain
Contents
Lenders to the exhibition -- Forward / Ann Goldstein -- Forward / Khardzhiev Foundation -- Foreword / Maria Tsantsanoglou -- Introduction / Bart Rutten -- 1903-1910, early work: impressionism, symbolism and fauvism -- 1911-1913, neo-primitivism and Cubo-futurism -- 1913: victory over the sun -- 1914-1915: Cubo futurism and alogism.
ISBN
  • 9783863354206 (hbk.)
  • 3863354206 (hbk.)
  • 9783863354633 (pbk.) (canceled/invalid)
OCLC
862060868
Owning Institutions
Harvard Library