Research Catalog

Title

Patricia Cronin : le macchine, gli Dei e i fantasmi = machines, gods and ghosts / with essays by Peter Benson Miller and Ludovico Pratesi.

Publication

Milano, Italy : Silvana Editoriale Spa, 2013.

Items in the Library & Off-site

Holdings

Details

Additional Authors

• Miller, Peter Benson
• Pratesi, Ludovico.
• Cronin, Patricia, 1963-

Description

63 p. : ill.; 24 cm.

Alternative Title

• Macchine, gli Dei e i fantasmi
• Machines, gods and ghosts
• Macchine, gli dei e i fantasmi

Subject

• Cronin, Patricia, 1963-
• 2000-2099
• Sculpture, American > 21st century > Exhibitions
• Ghosts in art > 21st century > Exhibitions
• Women sculptors > Massachusetts > 21st century > Exhibitions

Genre/Form

Exhibition catalogs

Note

• Italian and English.
• Published in conjunction with the exhibition held in Rome's Centrale Montemartini from October 9 to November 20, 2013.
• "Machines, Gods and Ghosts is an exhibition by the American artist Patricia Cronin conceived specially for the Engine Room of Rome's Centrale Montemartini. Summoning phantoms of her own, the artist expands upon the already spectral dialogue between the classical sculptures on view and the industrial archaeology of the exhibition space. The exhibition presents six works by the artist consisting of watercolor images printed on lightweight silk panels, which move and flutter in the space's gently circulating air. Ghost-like, the images conjure the lost sculptures of the American Neoclassical artist Harriet Hosmer, (1830-1908), whose best known extant monuments include the Tomb of Judith Falconer (1987), located in the Roman church of Sant'Andrea della Fratte. Inserted into the context of the Centrale's Engine Room, Cronin's apparitions acquire a paradoxical monumentality - materially slight yet conceptually substantial-in terms of both their spatial and symbolic relationships with the ancient sculptures on display, from the Torso of the Combatant to the Hestia. Entitled Ghosts, the works are ethereal representation poised between abstraction and figuration. Like ectoplasm, the physical vestige of the paranormal, they evoke not only the spirits of the Roman sculptures but also those of the laborers who once worked in the power plant, as if to suggest a hypothetical and symbolic bridge between the ancient and the contemporary, between the history of art and industry."-- Ludovico Pratesi.

Bibliography (note)

• Includes bibliographical references.

Language (note)

• Text in Italian and English.

Processing Action (note)

• committed to retain

ISBN

• 9788836627707
• 8836627706

OCLC

870180946

Owning Institutions

Harvard Library