Research Catalog
The production and consumption of music in the digital age / edited by Brian J. Hracs, Michael Seman and Tarek E. Virani.
- Title
- The production and consumption of music in the digital age / edited by Brian J. Hracs, Michael Seman and Tarek E. Virani.
- Publication
- New York, NY : Routledge, 2016.
- ©2016
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| Status | Format | Access | Call Number | Item Location |
|---|---|---|---|---|
| Text | Request in advance | ML3916 .P63 2016 | Off-site |
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Details
- Additional Authors
- Description
- vii, 277 pages; 24 cm.
- Series Statement
- Routledge studies in human geography ; 58
- Uniform Title
- Routledge studies in human geography ; 58.
- Subject
- Bibliography (note)
- Includes bibliographical references and index.
- Processing Action (note)
- committed to retain
- Contents
- List of Figures, p.ix -- List of Tables, p.xi -- Acknowledgments, p.xiii -- PART I. INTRODUCTION -- 1. Introduction: The Evolving Econoınic Geography of Music, p.3 / Brian J. Hracs, Michael Seman, and Tareke E. Viran -- PART II. RECORDING -- 2. Laptops, Pro Tools, and File Transfer Protocols: On the Intensification and Extensification of Recording Work in the Digital Age, p.11 / Allan Watson -- 3. Disturbing Production: The Effects of Digital Music Production on Music Studios, p.25 / David Arditi -- PART III. WORKING -- 4 . Working Harder and Working Smarter: The Survival Strategies of Contemporary Independent Musicians, p.41 / Brian J.Hracs -- 5. From Artist to Entrepreneur: The Working Lives of London-Based Rappers, p.56 / Laura Speers -- 6. Hip-Hop Tunity: Challenges and Opportunities for Indie Hip-Hop Artists in the Dutch Music Industry, p.71 / Joni R.Haijen -- 7. "Working at the Candy Factory": The Limits of Nonmonetary Rewards in Record Industry Careers, p.85 / Alexandre Frenette -- PART IV. PLAYING -- 8. The Resilience of a Local Music Scene in Dalston, London, p.101 / Tarek E. Virani -- 9. Landscapes of Performance and Technological Change: Music Venues in Pittsburgh, Pennsylvania and Nashville, Tennessee, p.114 / Ola Johansson, Margaret M. Gripshover Aand Thomas L. Bell -- 10. What's the "Newport Effect"?: Music Festivals, Touring, and Reputations in the Digital Age, p.130 / Jonathan R. Wynn and Rodrigo Domminguez-Villegas -- 11. Musicians and Temporary Spaces: The Case of Music Festivals in Sweden, p.144 / Johan Jansson and Jimi Nilsson
- PART V. DISTRIBUTING -- 12. Exploring the "360 Degree" Blur : Digitization, Sonic Capital, and the Strategic Orientations of Electronic Indie Labels, p.161 / Hans-Joachim Bürkner -- 13. More Than Just Bytes?: Responses to Digitization in the Paris Cluster of World Music Production, p.177 / Amanda Brandellero and Robert C. Kloosterman -- 14. Emotional Landscapes and the Evolution of Vinyl Record Retail: A Case Study of Highland Park, Los Angeles, p.190 / Tyler Sonnichsen -- 15. Music Rights: Towards a Material Geography of Musical Practices in the "Digital Age", p.206 / Andy C. Pratt -- PART VI. PROMOTING AND CONSUMING -- 16. Unpacking the "Digital Habitus" of Music Fans in Santiago's Indie Music Scene, p.223 / Arturo Arriagada -- 17. The Evolution of Music Tastemakers in the Digital Age: The Rise of Algorithms and the Response of Journalists, p.237 / Bastian Lange -- 18. Leveraging Affect: Mobilizing Enthusiasm and the Co-Production of the Musical Economy, p.248 / Andrew Leyshon, Nigel Thrift, Louise Crewe, Shaun French, and Pete Webb -- Contributors, p.263 -- Index, p.269.
- ISBN
- 9781138851658
- 1138851655
- LCCN
- ^^2016007644
- OCLC
- 890180363
- SCSB-10294317
- Owning Institutions
- Harvard Library