Research Catalog

Harald Szeemann : selected writings

Title
Harald Szeemann : selected writings / Harald Szeemann ; edited by Doris Chon, Glenn Phillips, and Pietro Rigolo ; translated by Jonathan Blower and Elizabeth Tucker.
Author
Szeemann, Harald
Publication
Los Angeles : Getty Research Institute, [2018]

Items in the Library & Off-site

Filter by

1 Item

StatusFormatAccessCall NumberItem Location
TextUse in library N7445.2 .S9413 2018Off-site

Details

Additional Authors
  • Chon, Doris
  • Phillips, Glenn, 1974-
  • Rigolo, Pietro
  • Blower, Jonathan
  • Tucker, Elizabeth, 1977-
  • Getty Research Institute, issuing body.
Description
x, 406 pages : illustrations (some color); 24 cm
Summary
"Harald Szeemann: Selected Writings is an anthology of over seventy texts by Harald Szeemann (1933-2005) that brings the ideas of this important curator of twentieth-century art to an English-speaking readership for the first time."--ECIP Data View.
Uniform Title
Works. Selections. English. 2018
Alternative Title
Works. 2018
Subject
  • Szeemann, Harald > Translations into English
  • Szeemann, Harald
  • Szeemann, Harald, 1933-2005 > Traductions anglaises
  • Art criticism
  • Critique d'art
  • 20.07 art criticism, art review
Genre/Form
Translations.
Note
  • "This volume translates Harald Szeemann, Museum der Obsessionen (Berlin: Merve Verlag, 1981), and Harald Szeemann, Individuelle Mythologien (Berlin: Merve Verlag, 1985)."
  • "This volume accompanies the exhibition Harald Szeemann: Museum of Obsessions, held at the Getty Research Institute from 6 February 2018 to 6 May 2018."
  • "Harald Szeemann: Selected Writings is an anthology of over seventy texts by Harald Szeemann (1933-2005) that brings the ideas of this important curator of twentieth-century art to an English-speaking readership for the first time."--ECIP Data View.
Bibliography (note)
  • Includes bibliographical references and index.
Contents
Introduction: My ray is my castle / Doris Chon, Glenn Phillip, and Pietro Rigolo -- Part 1: Museum of Obsessions. -- SPACESHIT -- Identity kit -- O joyful, O holy thematic exhibition -- Culture cake Frau as folio -- The First International Perfume Exhibition -- Pullups from Luepolis -- Dossier G. P. -- When attitudes become form -- How does an exhibition come into being? -- Foreword to the documenta 1972 catalog -- Look back almost without anger: interview by Pietra Kipphof -- Individual mythologies -- Grandfather: a pioneer like us -- A rewarding retreat into the private realm -- The Museum of Obsessions: proposal for an exhibition at the Akademie der Künste in Berlin -- The Agentur für geistige Gastarbeit in the service of the vision for a Museum of Obsessions -- Museum of Obsessions -- Bachelor machines -- A bachelor's obsession--and what it has cost him -- The Museum of Obsessions: suggestions for a future documenta -- A correspondence -- Monte Verità--Mountain of Truth -- Truth has many breasts: a conversation with Theo Kneubühler -- Tendency toward the Gesamtkunstwerk -- Part 2: Individual mythologies. -- Collision + Harmony (Prayer): the honors pertaining to the profession of curating for the 1980s looking toward the year 2000 -- In the Jardin d'amour: letter to James Ensor -- Anselm Kiefer, Parsifal, 1973 -- Halos in the firmament of pictures: on Sigmar Polke -- East/West: where do you stand?: on Jörg Immendorff -- Immendorff at the crossroads -- Étienne-Martin -- Étienne-Martin: "That remains quite mysterious to me" -- Colossus in motion: Guy Harloff -- "Pathological processes often, and often only, show us enlarged images of normal conditions": (Otto Gross, 1907) -- No catastrophe without an idyll; No idyll without a catastrophe -- Adolf Wölfli -- (Dis)Ordered world picture: can the mentally ill be artists? -- Untitled: text for the one-man performance The new city, 1956 -- Emma Kunz: Swiss primal mud, Swiss mysticism of light -- A new museum in Lausanne: the Collection de l'Art Brut -- A mystic always goes against the grain -- Not once in his evil was he original: the destruction of art in the Third Reich -- Thanks owed to Paul Thek -- Conversation with Paul Thek: Duisburg, 12 December 1973 -- Ex voto -- On the exhibition Ex voto -- The discrete charm of the bourgeoisie: the Necropolis of Staglieno -- Bruno Müller -- Piotr Kowalski--technician or artist? -- George Sugarman -- Exploring myths by video -- Outline: length x width x height x depth + 150 arches. Bern's Münstergasse, the most autonomous street in Bern -- Mentality space = Climate -- Dieter Roth, Gobelin (Bertorelli B) 1974-76 -- Exhibition making -- Poem for Johannes Cladders -- Conversation with Cathérine Millet -- Energy amalgam litany -- Plates -- Part 3: From vision to nail: writings 1986-2003. -- Giant sketch for a future hope -- Freedom in patience: mystical traces in the work of Wolfgang Laib -- Mario Merz -- Timeless [Zeitlos] -- A visit to Weinrebenpark is like a breath of fresh air -- Piet Mondrian on Monte Verità -- To stage is to love -- The outside sets the scale, the inside determines the form -- Conversation: for Franz West (Indirectly) -- Joseph Beuys: the Heat time machine -- Museum of Obsessions: interview with Gerhard Theewen -- Tatlin's tower for Marx-Engels-Platz -- The other [L'autre] -- Beware of exiting your dreams: you may find yourself in somebody else's -- The gallantry of extremism -- Preface to Chen Zen: invocation of washing fire -- Making things possible: a conversation with Harald Szeemann (interview by Beti Žerovc).
ISBN
  • 9781606065549
  • 1606065548
LCCN
2017036175
OCLC
  • on1000150482
  • SCSB-9115393
Owning Institutions
Princeton University Library