Research Catalog

Title

True to nature : open-air painting in Europe 1780-1870 / Ger Luijten, Mary Morton and Jane Munro with Michael Clarke, Ann Hoenigswald and Anna Ottani Cavina.

Publication

• [London] : [Paul Holberton Publishing], [2020]
• London : Produced by Paul Holberton Publishing
• ©2020

Items in the Library & Off-site

Details

Additional Authors

• Luijten, Ger
• Morton, Mary
• Munro, Jane
• Clarke, Michael, 1952-
• Hoenigswald, Ann
• Ottani Cavina, Anna
• National Gallery of Art (U.S.), issuing body, host institution.
• Collection Frits Lugt, issuing body, host institution.
• Fitzwilliam Museum, issuing body, host institution.

Description

280 pages : color illustrations; 25 x 27 cm

Summary

In the eighteenth century the tradition of open-air painting was based in Italy, Rome in particular. Artists came from all over Europe to study classical sculpture and architecture, as well as masterpieces of Renaissance and Baroque art. During their studies, groups of young painters visited the Italian countryside, training their eyes and their hands to transcribe the effects of light on a range of natural features. The practice became an essential aspect of art education, and spread throughout Europe in the nineteenth century. This exhibition focuses on the artists̀' wish to convey the immediacy of nature observed at first hand. Around a hundred works, most of them unfamiliar to the general public, will be displayed. The artists represented include Thomas Jones, John Constable, J.M.W. Turner, Pierre-Henri de Valenciennes, Achille-Etna Michallon, Camille Corot, Christoffer Wilhelm Eckersberg, Johan Thomas Lundbye, Vilhelm Kyhn, Carl Blechen, Johann Martin von Rohden, Johann Wilhelm Schirmer, Johann Jakob Frey, among others. The sketches demonstrate the skill and ingenuity with which each artist quickly translated these first-hand observations of atmospheric and topographical effects while the impression was still fresh. The exhibition and the catalogue will be organized thematically, reviewing, as contemporary artists did, motifs as trees, rocks, water, volcanoes, and sky effects, and favourite topgraphical locations, such as Rome and Capri. The catalogue will present numerous unpublished plein air sketches, and contains much original scholarship on this relatively young field of art history.00Exhibition: National Gallery of Art, Washington, USA (02.02.-03.05.2020) / The Fondation Custodia, Paris, France (14.06-13.09.2020) / Fitzwilliam Museum, Cambridge, UK (04.10-31.01.2021).

Alternative Title

Open-air painting in Europe, 1780-1870

Subject

• 1700-1899
• Plein air painting > Europe > 18th century > Exhibitions
• Plein air painting > Europe > 19th century > Exhibitions
• Landscape painting, European > 18th century > Exhibitions
• Landscape painting, European > 19th century > Exhibitions
• Landscapes in art > Exhibitions
• Nature in art > Exhibitions
• Artists > Europe > Exhibitions
• Plein air painting > Europe > Exhibitions. > 18th century
• Plein air painting > Europe > Exhibitions. > 19th century
• Landscape painting, European > Exhibitions. > 18th century
• Landscape painting, European > Exhibitions. > 19th century
• Landscape painting, European
• Artists
• Landscape painting, European
• Landscapes in art
• Nature in art
• Plein air painting
• Europe
• Europe

Genre/Form

• exhibition catalogs.
• Exhibition catalogs
• Exhibition catalogs.
• Catalogues d'exposition.

Note

• Published to accompany the exhibition held at the National Gallery of Art, Washington, DC, February 2-May 3, 2020, Fondation Custodia, Collection Frits Lugt, Paris, June 13-September 13, 2020 and The Fitzwilliam Museum, Cambridge, October 6, 2020-January 31, 2021.

Bibliography (note)

• Includes bibliographical references (pages 266-279).

ISBN

• 9781911300786
• 1911300784

OCLC

• on1111788523
• 1111788523
• SCSB-9702615

Owning Institutions

Princeton University Library