Research Catalog

Nonaligned modernism : socialist postcolonial aesthetics in Yugoslavia, 1945-1985

Title
Nonaligned modernism : socialist postcolonial aesthetics in Yugoslavia, 1945-1985 / Bojana Videkanić.
Author
Videkanić, Bojana, 1977-
Publication
  • Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2019]
  • ©2019

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StatusFormatAccessCall NumberItem Location
TextUse in library N7248.5.M63 V53 2019Off-site

Details

Description
xvii, 302 pages : illustrations; 24 cm
Summary
"In less than half a century, the Socialist Federal Republic of Yugoslavia successfully defeated Fascist occupation, fended off dominating pressures from the Eastern and Western blocs, built a modern society on the ashes of war, created its own form of socialism, and led the formation of the Nonaligned Movement. This country's principles and its continued battles, fought against all odds, provided the basis for dynamic and exceptional forms of art. Drawing on archival materials, postcolonial theory, and Eastern European socialist studies, Nonaligned Modernism chronicles the emergence of late modernist artistic practices in Yugoslavia from the end of the Second World War to the mid-1980s. Situating Yugoslav modernism within postcolonial artistic movements of the twentieth century, Bojana Videkanić explores how cultural workers collaborated with others from the Global South to create alternative artistic and cultural networks that countered Western hegemony. Videkanić focuses primarily on art exhibitions along with examples of international cultural exchange to demonstrate that nonaligned art wove together politics and aesthetics, and indigenous, Western, and global influences. An interdisciplinary book, Nonaligned Modernism highlights Yugoslavia's key role in the creation of a global modernist ethos and international postcolonial culture."--
Alternative Title
Socialist postcolonial aesthetics in Yugoslavia, 1945-1985
Subject
  • 1900-1999
  • Art, Yugoslav > 20th century
  • Socialism and art > Yugoslavia
  • Modernism (Art) > Yugoslavia
  • Art > Political aspects > History > Yugoslavia > 20th century
  • Aesthetics, Yugoslav > 20th century
  • Modernism (Aesthetics) > Yugoslavia
  • Aesthetics > Political aspects > History > Yugoslavia > 20th century
  • Nonalignment > Yugoslavia > History > 20th century
  • Art, Yugoslav
  • Socialism and art
  • Modernism (Art)
  • Art > Political aspects
  • Aesthetics, Yugoslav
  • Modernism (Aesthetics)
  • Aesthetics
  • Nonalignment
  • political art
  • Aesthetics
  • Socialism and art
  • Aesthetics > Political aspects
  • Aesthetics, Yugoslav
  • Art > Political aspects
  • Art, Yugoslav
  • Nonalignment
  • Kunst
  • Postkolonialismus
  • Postmoderne
  • Rezeption
  • Sozialismus
  • Yugoslavia
  • Blockfreie Staaten
  • Jugoslawien
Genre/Form
History
Bibliography (note)
  • Includes bibliographical references and index.
Additional Formats (note)
  • Issued also in electronic formats.
Contents
From Socialist Realism to Yugoslav Alternative Aesthetic, 1945-1954 -- Coexistence, Cultural Diplomacy, and the Ascent of Socialist Modernism -- Nonaligned Modernism in the Making: Building Parallel Transnational Culture -- The Ljubljana Biennale of Graphic Arts: Articulating Nonaligned Modernism.
ISBN
  • 9780773559462
  • 9780773559455
  • 0773559469
  • 0773559450
  • 9780228000563 (canceled/invalid)
  • 9780228000570 (canceled/invalid)
LCCN
2019394545
OCLC
  • on1096343626
  • 1096343626
  • SCSB-9712705
Owning Institutions
Princeton University Library