Research Catalog

Music, a connected art : Die Illusion der absoluten Musik : a Festschrift for Jürgen Thym on His 80th birthday

Title: Music, a connected art : Die Illusion der absoluten Musik : a Festschrift for Jürgen Thym on His 80th birthday / edited by Ulrich J. Blomann, David B. Levy, Ralph P. Locke, and Frieder Reininghaus.
Publication: Baden-Baden : Verlag Valentin Koerner, 2023.

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Request for On-site Use Request Scan How do I pick up this item and when will it be ready?	Text	Use in library	ML3845 .M87 2023	Off-site

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Description

365 pages : illustrations, music; 23 cm.

Summary

The essay-collection offers a broad overview of musical scholarship today, specifically in the fields of historical musicology, music theory/analysis, music theater, and music pedagogy. It demonstrates the wide range of approaches that are being applied to music and musical life in the early twenty-first century. The spectrum traced by these twenty?eight essays ranges from from the earliest origins of music-making to concerns for what music will be in the future, in the face of ongoing war and increasing damage to the world's climate.00The essays treat, in exemplary fashion, such topics as the impact of technology on music and musical life, changes in how music is performed and transmitted through the electronic media, and new approaches to how music history can be taught to new generations of students growing up in a changing world. Some treat in detail the ways that realism filtered its way into composed music and that earlier myths have gotten incorporated into modern operas.00//00Der Sammelband verknüpft musikologische, musiktheoretische, musikpädagogische und auf das Musiktheater gerichtete Texte. Er bietet einen Überblick über unterschiedliche Forschungsfelder sowie die Vielfalt der wissenschaftlichen Zugänge und Methoden zu Beginn des 21. Jahrhunderts. Das Spektrum reicht von der Erörterung der Hypothesen zu den frühesten Anfängen dessen, was dann im Lauf von Jahrtausenden ?Musik± wurde bis zur Sorge um deren Zukunft angesichts der gegenwärtigen Kriege, Erderwärmung und Umweltkatastrophen.00Exemplarisch behandelt werden verschiedentlich Fragen der Folgen von Technik und Technologien für Musik und Musikleben, Aufführungspraxis und mediale Transformationen, aber auch unterrichtsspezifische Aspekte. En Detail geht es um unterschiedlich gefilterten Realismus wie um ältere Mythen in neueren Opern.

Series Statement

Sammlung musikwissenschaftlicher Abhandlungen, 0085-588X ; volume 103

Uniform Title

Sammlung musikwissenschaftlicher Abhandlungen (Valentin Koerner GmbH) ; v. 103.

Alternative Title

Illusion der absoluten Musik

Subject

Genre/Form

Criticism, interpretation, etc.

Bibliography (note)

Includes bibliographical references and index (pages 357-365).

Language (note)

Chiefly in English; 6 contributions in German.

Contents

Editor's introduction. I. The nature of music, music-making, and listening. On the origin of music: a hypothesis / Ulrich J. Blomann ; Warum wir hören, was wir hören: Neuropsychologische Aspekte musikalischer Wahrnehmung / Wilfried Gruhn ; Why the concert didn't die, Mr. Gould; or, musicology's multimodal problem / Michael Broyles ; The musical cryptography of Niels Gade, or, what's in a name? / R. Larry Todd -- II. Music and poetry. "Morgenrot und Schwarze Hand: - :Petersil und Suppenkraut" : Die prosodische Parodierung als Kontrafaktur ohne Musik in einem Werk des jüdischen Dichters Manfred Winkler / Hanns-Werneer Heister ; "Der Sänger der Machtergreifung": Joseph Maria Müller-Blattau und die totgeschwiegene Melodieausgabe des Rostocker Liederbuchs / Hartmut Möller ; Translating a Winter's journey: crossing cultural boundaries / Susan Youens ; The gardens of Alcinous: Schubert's dream and non-dream / Lorraine Byrne Bodley ; Poetic endings and song endings in "Gute Nacht" and "Der Leiermann" from Schubert's Winterreise / Yonatan Malin ; "Und ringt die Hände": On hidden labors / Seth Brodsky ; Hermeneutical views of John Cage: two snapshots / Rob Haskins ; On colliding with the chorale in Robert Schumann's "Anfangs wollt' ich fast verzagen" / Jennifer Ronyak ; "Whose spinnrad is it anyway!?": deconstructing gender specificity in art-song performance / Matthew Valverde ; Two responses to Eichendorff's "Nachtblume": a comparison of settings by Fanny Hensel and Hugo Wolf / Harald Krebs ; In praise of simplicity: Marie Hinrichs's op. 1, Neun Gesänge / Stephen Rodgers ; Remembering the "Tempest"-Sonata controversy / Albrecht Riethmüller -- III. Music and theater/opera/film. Faustian identities: reimagining a myth in twenty-first-century opera / Caroline Ehman ; Nachhall der Kriege im Osten. Von Monteverdi bis zur Gegenwart / Frieder Reininghaus ; I remember it well: faulty memory and the broadwar musical / Kim H. Kowalke ; "Here am I, your special island": stage musicals vs. screen adaptations / Rufus Hallmark -- IV. Music-making in time and place. Simone Vesi's Vesper music in Lübeck, Stockholm, and Bologna / Kerala J. Snyder ; Gegenliebe: the reciprocal lvoe between Beethoven and the orchestra of the theater an der Wien / Theodore Albrecht ; Teaching Beethoven post-2020 / Mary Natvig ; Music's connections: experiences in the classroom / Ralph P. Locke -- V. Music and the individual composer's voice. Bach and the art of diminution / David Beach ; Will the real F. Mendelssohn please stand up?: a source study / Marie Rolf ; Friedrich Theodor Vischer, Louise Otto, and the Nibelungs / David B. Levy ; William Albright's Juba for organ: idiomatic gesture and organ design / Douglas Reed.

ISBN

9783873206038
387320603X

OCLC

on1390757959
1390757959
SCSB-14627867

Owning Institutions

Princeton University Library