Research Catalog

Reality transformed : film as meaning and technique

Title
Reality transformed : film as meaning and technique / Irving Singer.
Author
Singer, Irving.
Publication
Cambridge, Mass. : MIT Press, ©1998.

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StatusFormatAccessCall NumberItem Location
TextUse in library PN1995 .S513 1998Off-site

Details

Description
xiv, 216 pages; 24 cm
Summary
In Reality Transformed Irving Singer offers a new approach to the philosophy of film. Returning to the classical debate between realists and formalists, he shows how the opposing positions may be harmonized and united. He accepts the realist claim that films somehow "capture" reality, but agrees with the formalist belief that they transform it. Extending his earlier work on meaning in art and life, he suggests that the meaningfulness of movies derives from techniques that re-create reality in the process of presenting it to viewers who have learned how to appreciate the aesthetics of cinematic transformation.
Subject
  • Bibel
  • Film criticism > Philosophy
  • Filmästhetik
  • Wirklichkeit
  • Filmkunst
  • Filmtechniek
  • Filmtheorie
  • Film
Bibliography (note)
  • Includes bibliographical references (p. [201]-210) and index.
Contents
Introduction: Realism vs. Formalism -- Appearance and Reality -- The Purple Rose of Cairo -- The Visual and the Literary -- Death in Venice -- Communication and Alienation -- The Rules of the Game -- Conclusion: Cinematic Transformation.
ISBN
  • 0262194031
  • 9780262194037
  • 0262692481
  • 9780262692489
  • 0585003165
  • 9780585003160
LCCN
98017339
OCLC
  • ocm38853950
  • 38853950
  • SCSB-542025
Owning Institutions
Princeton University Library