Research Catalog

Title

Revolving embrace : the waltz as sex, steps, and sound / Sevin H. Yaraman.

Author

Yaraman, Sevin H.

Publication

Hillsdale, N.Y. : Pendragon Press, ©2002.

Items in the Library & Off-site

Details

Description

x, 157 pages : illustrations; 23 cm.

Summary

At the beginning of the 19th century the waltz brought men and women face-to-face, dancing tightly embraced and staring into each other's eyes, a position that provoked a great deal of anxiety in many circles: bishops of Austria signed decrees against waltzing, France banned it at court, and even Leo XII sought to suppress the waltz by papal decree. Nevertheless, composers wrote waltzes for the ballrooms, and the new bourgeoisie of Europe enjoyed the freedom and informality of the dance. The reception of the waltz as music was informed by 19th-century views on women. As a result, the waltz-- both dance and music--acquired a distinctly gendered meaning. In Verdi's La Traviata, Puccini's La Bohème, and Berg's Wozzeck, the composers relied on the waltz's contradictory meanings of individual pleasure and social disapprobation to portray the women characters and their roles in the development of the plot. The popularity of the waltz persisted beyond the original era of the Viennese waltz. Twentieth-century composers wrote waltzes either to pay homage to the Viennese waltz and its creators or to evoke the spirit of that earlier period. In compositions such as La Valse and Wozzeck, Ravel and Berg make deliberate references to the Viennese waltz without yielding their own musical language to its convention.

Series Statement

Monographs in musicology ; no. 12

Uniform Title

Monographs in musicology ; no. 12.

Subject

• Waltzes > History and criticism
• Waltz > Social aspects
• Waltz > Social aspects
• Waltzes
• Walzer

Genre/Form

Criticism, interpretation, etc.

Bibliography (note)

• Includes bibliographical references (p. 147-153) and index.

Contents

The Curtain-Raiser: A Discussion of Basic Issues -- Putting Music Under The Dancers' Feet -- Opera, Ballet, and Playing with the Waltz -- Liberation from the Steps: The Concert Waltzes -- The Waltz as a Subject: Waltzes about the Waltz -- The Woman's Sound in the Waltz.

ISBN

• 1576470431
• 9781576470435

LCCN

2002022362

OCLC

• ocm49225745
• 49225745
• SCSB-13974397

Owning Institutions

Princeton University Library