Research Catalog
Shakespeare and theatrical patronage in early Modern England
- Title
- Shakespeare and theatrical patronage in early Modern England / edited by Paul Whitfield White and Suzanne R. Westfall.
- Publication
- Cambridge, UK ; New York : Cambridge University Press, 2002.
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Status | Format | Access | Call Number | Item Location |
---|---|---|---|---|
Text | Use in library | PR3095 .S48 2002 | Off-site |
Details
- Additional Authors
- Description
- viii, 326 pages : illustrations; 24 cm
- Summary
- During the past quarter of a century, the study of patronage-theatre relations in early modern England has developed considerably. This, however, is the first extensive, wide-ranging, and representative study of patronage as it relates to Shakespeare and the theatrical culture of his time. Twelve theatre historians address such questions as: What important functions did patronage have for the theatre during this period? How, in turn, did the theatre impact and represent patronage? Where do paying spectators and purchasers of printed drama fit into the discussion of patronage? The authors also show how patronage practices changed and developed from the early Tudor period to the years in which Shakespeare was the English theatre's leading artist. --From publisher's description.
- Subject
- Shakespeare, William, 1564-1616 > Stage history > To 1625
- Shakespeare, William, 1564-1616 > Stage history > England
- Shakespeare, William, 1564-1616
- Shakespeare, William, 1564-1616
- Shakespeare, William 1564-1616
- Shakespeare, William, 1564-1616 > Stage history > Great Britain
- Shakespeare, William
- To 1699
- Authors and patrons > England > History > 16th century
- Authors and patrons > England > History > 17th century
- Theater audiences > England > History > 16th century
- Theater audiences > England > History > 17th century
- Theater > England > History > 16th century
- Theater > England > History > 17th century
- Literary patrons > Great Britain
- Authors and patrons > History > 16th century
- Authors and patrons > History > 17th century
- Art patronage > England > History > 17th century
- 18.05 English literature
- 24.11 history of drama
- Authors and patrons
- Literary patrons
- Relations with literary patrons
- Theater
- Theater audiences
- Mäzenatentum
- Theater
- Aufsatzsammlung
- Toneel
- Patronage
- Authors and patrons > Great Britain > History > 16th century
- Authors and patrons > Great Britain > History > 17th century
- Theater audiences > Great Britain > History > 16th century
- Theater audiences > Great Britain > History > 17th century
- Theater > Great Britain > History > 16th century
- Theater > Great Britain > History > 17th century
- Geschichte 1500-1699
- England
- Great Britain
- Genre/Form
- History.
- Bibliography (note)
- Includes bibliographical references and index.
- Contents
- 'The Useless Dearness of the Diamond': theories of patronage theatre / Suzanne Westfall -- The King's men's King's men: Shakespeare and folio patronage / David M. Bergeron -- Shakespeare, the Cobhams, and the dynamics of theatrical patronage / Paul Whitfield White -- Shakespeare, noble patrons and the pleasures of professional playing / Leeds Barroll -- 'What revels are in hand?' Marriage celebrations and patronage of the Arts in Renaissance England / / David Bevington and Milla Riggio -- Civic patronage of provincial drama: the case of early modern York / Alexandra F. Johnston -- Theatrical patronage and the urban community during the reign of Mary / Mary Blackstone -- Privy councilors as theatre patrons / Andrew Gurr -- Tracking Leicester's men: the patronage of a performance troupe / Sally-Beth MacLean -- Patronage and the companies of boy actors / Michael Shapiro -- The audience as patron: the knight of the burning pestle / Alexander Leggatt.
- ISBN
- 0521812941
- 9780521812948
- 0521034302
- 9780521034302
- LCCN
- 2002073826
- OCLC
- ocm50129409
- 50129409
- SCSB-14645253
- Owning Institutions
- Princeton University Library