Research Catalog

Hindsight and the real : subjectivity in gay hispanic autobiography

Title
Hindsight and the real : subjectivity in gay hispanic autobiography / David Vilaseca.
Author
Vilaseca, David, 1964-
Publication
New York : Peter Lang, ©2003.

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StatusFormatAccessCall NumberItem Location
TextUse in library PQ6134.A97 V55 2003Off-site

Details

Description
368 pages : illustrations; 23 cm
Subject
  • Arenas, Reinaldo, 1943-1990
  • Gil de Biedma, Jaime, 1929-1990
  • Goytisolo, Juan
  • Arenas, Reinaldo, 1943-1990
  • Gil de Biedma, Jaime, 1929-1990
  • Goytisolo, Juan
  • 1900-1999
  • Authors, Spanish > 20th century > Biography > History and criticism
  • Authors, Spanish American > 20th century > Biography > History and criticism
  • Autobiography
  • Homosexuality in literature
  • Self in literature
  • Gender identity in literature
  • Autobiographies as Topic
  • autobiography (genre)
  • 18.32 Spanish literature
  • 18.33 Spanish-American literature
  • Authors, Spanish American
  • Authors, Spanish American > Biography
  • Authors, Spanish > Biography
  • Autobiography
  • Gender identity in literature
  • Homosexuality in literature
  • Self in literature
  • Autobiografieën
  • Homoseksualiteit
  • Subjectiviteit
  • Spaans
Genre/Form
  • Biographies
  • Criticism, interpretation, etc.
Bibliography (note)
  • Includes bibliographical references (p. [333]-352) and index.
Contents
Introduction: From the Balkans to Spanish Cultural Studies ... and on to Gay Hispanic Autobiography -- 'In Dali more than Dali': Un diari 1919-1920 and the Real of Salvador Dali's Autobiography -- The Real in Dali's Autobiography -- Un diari: 1919-1920 and The Secret Life of Salvador Dali: A Selective Comparison -- The Repression of the Real -- Writing 'AIDS': Identity, Metaphor and the Enjoyment of the Sinthome in Herve Guibert and Reinaldo Arenas -- 'AIDS', Identity and Metaphor in Herve Guibert -- Enjoy your Symptom! 'AIDS' as a Source of 'Enjoymeant' in Reinaldo Arenas's Antes que anochezca -- On the Constitution and Uses of Homosexuality in Reinaldo Arenas's Antes que anochezca -- Interpellation and Its Discontents: 'Pajaro; eso es lo que tu eres' -- 'Your Freedom or Your Life!': Identification and the Double Bind of Ideology -- 'In the Absence of God, All Is Forbidden': Homosexuality Behind Bars -- Heterosexual Homosexuality?: 'Lo que uno busca es su contrario' -- Reinaldo Arenas Betweeen States: Exile, Identification and the Question of the (M)other -- 'Home Is Where the Hatred Is: Exile and 'Homeland' in Antes que anochezca -- 'A Boy's Best Friend Is His (M)other': Mourning, Identification and the Question of Masculine Psychosis -- 'Waiting for the Earthquake': Homosexuality, Disaster Movies and the 'Message from the Other' in Juan Goytisolo's Autobiography -- '"I've Just Been to the Butcher's." -- "Sow!"' -- Slavoj Zizek in Hollywood and Out -- 'Everyone Says I love You': Homosexuality as a Message from the Other in Goytisolo's Autobiography -- Juan Goytisolo's Queer (Be)hindsight: Homosexuality, Epistemology and the 'Extimacy' of the Subject in Coto vedado and En los reinos de taifa -- The Metaleptic Logic of Freud's Primal Scene and Goytisolo's Autobiography -- 'Like His Mother Behind, Like His Father Before': Homosexual Challenges to Classical Epistemology -- 'You Only Live Twice': Goytisolo's Encounter with Genet and the 'Extimacy' of the Subject -- The Ambassadors Goes to Manila: The Postcolonial Gaze in Jaime Gil de Biedma's Retrato del artista en 1956 -- Encountering the Postcolonial Gaze in 'Las Islas de Circe' -- The Disavowal of the Gaze -- Fatal Attractions: The Postcolonial as 'Anamorphic Skull' -- A Peep Show through a Bottle of 'Smirnoff' Vodka: Gil de Biedma, Amenabar and the Other Side of the 'Sexual Relationship' -- 'Stuck Between Myself and Myself': Postcolonialism, Subjectivity, or Why Does One Write a Personal Diary? in Gil de Biedma's Retrato del artista en 1956 -- Empty (Colonial) Gestures: The Anti-Racist Homosexual in Gil de Biedma's Retrato del artista en 1956 -- Otherwise than Gil de Biedma (1): Time and Subjectivity in 'De regreso en Itaca' -- Otherwise than Gil de Biedma (2): 'Saying' ('le Dire') as Real and as 'Prophecy' -- Conclusion. 'Post-Deconstructive Subjectivity': The Excluded Middle.
ISBN
  • 0820462780
  • 9780820462783
  • 3039100092
  • 9783039100095
LCCN
2003058844
OCLC
  • ocm52814076
  • 52814076
  • SCSB-1327609
Owning Institutions
Princeton University Library