Research Catalog

Riverbank and seashore in nineteenth and twentieth century British literature

Title
Riverbank and seashore in nineteenth and twentieth century British literature / Gillian Mary Hanson.
Author
Hanson, Gillian Mary, 1943-
Publication
Jefferson, N.C. : McFarland & Co., ©2006.

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StatusFormatAccessCall NumberItem Location
TextUse in library PR478.R58 H36 2006Off-site

Details

Description
180 pages; 23 cm
Summary
"This book examines the ways in which 21 modern and postmodern writers have made use of the physical environment in their work. It considers how each author employs the physical settings in the plot and character development, and how those settings are used to connect with some of the intellectual concerns of the late 19th and 20th centuries"--Provided by publisher.
Subject
  • 1800-1999
  • English literature > 20th century > History and criticism
  • Rivers in literature
  • English literature > 19th century > History and criticism
  • Postmodernism (Literature) > Great Britain
  • Modernism (Literature) > Great Britain
  • Landscapes in literature
  • Seashore in literature
  • Setting (Literature)
  • English literature
  • Modernism (Literature)
  • Postmodernism (Literature)
  • Literatur > Englisch > Motiv (Literatur) > Ufer > Geschichte > 1800-2000
  • Ufer > Motiv (Literatur) > Englisch > Geschichte > 1800-2000
  • Küste > Motiv (Literatur) > Englisch > Geschichte > 1800-2000
  • Literatur > Englisch > Motiv (Literatur) > Küste > Geschichte > 1800-2000
  • Rivage > Dans la littérature
  • Roman anglais > 19e siècle
  • Roman anglais > 20e siècle
  • Great Britain
Genre/Form
Criticism, interpretation, etc.
Bibliography (note)
  • Includes bibliographical references (p. 169-177) and index.
Contents
The rural river. Alfred Tennyson's The Lady of Shalott, George Eliot's The Mill on the Floss, Wilkie Collins' The Guilty River, H.E. Bates' The Two Sisters, Charles Kingsley's The Water Babies, Graham Swift's Waterland, Kenneth Grahame's The Wind in the Willows, and Ted Hughes' River -- The urban river. Charles Dickens' Our Mutual Friend, Joyce Cary's The Horse's Mouth, Penelope Fitzgerald's Offshore, Alan Sillitoe's A Scream of Toys, Patrick McGrath's Spider, Iain Sinclair's Downriver, and Susan Hill's The Mist in the Mirror -- River into sea -- The rural shore. Thomas Hardy's A Pair of Blue Eyes, Virginia Woolf's The Waves and To the lighthouse, W.B. Yeats' Fighting the Waves, Mary Lavin'sTh Great Wave, Iris Murdoch's The Sea, the Sea, John Fowles' The French Lieutenant's Woman, Graham Swift's Learning to Swim, Susan Hill's The Woman in Black, and Jane Gardam's Crusoe's Daughter -- The urban shore. Matthew Arnold's Dover Beach and The Forsaken Merman, Jane Austen's Persuasion, Graham Greene's Brighton Rock, Patrick Hamilton's The West Pier, Samuel Beckett's Embers, Alan Bennett's All Day on the Sands, Alan Sillitoe's The Road, Edward Bond's The Sea, and Susan Hill's The Albatross.
ISBN
  • 078642284X
  • 9780786422845
LCCN
  • 2005020848
  • 9780786422845
OCLC
  • ocm61169689
  • 61169689
  • SCSB-1378346
Owning Institutions
Princeton University Library