Research Catalog
Retreat into the mind : Victorian poetry and the rise of psychiatry
- Title
- Retreat into the mind : Victorian poetry and the rise of psychiatry / by Ekbert Faas.
- Author
- Faas, Ekbert, 1938-
- Publication
- Princeton, N.J. : Princeton University Press, ©1988.
Items in the Library & Off-site
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1 Item
Status | Format | Access | Call Number | Item Location |
---|---|---|---|---|
Text | Use in library | PR595.P85 F34 1988 | Off-site |
Details
- Description
- viii, 312 pages; 25 cm
- Subject
- 1800-1899
- Geschichte 1837-1901
- Geschichte 1832-1902
- English poetry > 19th century > History and criticism
- Psychoanalysis and literature > Great Britain
- Psychology and literature > History > 19th century
- Psychiatry > Great Britain > History > 19th century
- Dramatic monologues > History and criticism
- Poetry > Psychological aspects
- Psychology in literature
- Psychoanalysis and literature > History > 19th century
- Poetry > history
- Psychiatry > history
- Dramatic monologues
- English poetry
- Psychiatry
- Psychoanalysis and literature
- Psychology and literature
- Englisch
- Dramatic monologue
- Lyrik
- Psychiatrie
- Psychoanalyse
- Psychologie
- Gedichten
- Psychologie
- Psychoanalyse
- Great Britain
- Englisch
- Genre/Form
- Criticism, interpretation, etc.
- History.
- Note
- Includes index.
- Bibliography (note)
- Bibliography: p. 266-297.
- Contents
- 1. Dramatic or psychological monologue?: The dramatic monologue and Victorian criticism -- The dramatic monologue and its precedents -- Psychological poetry and mental science -- 2. The new mental science: Introspective psychology -- Mesmerism -- Psychological medicine -- 3. The psychological school of poetry: beginnings: The evolution of the new genre -- Critics and poets vis-a-vis mental scientists -- The age of introspection -- 4. The psychological school of poetry: origins: Robert Browning -- Alfred Tennyson -- From introspection to psycho-analysis -- 5. Precedents I: the romantic "science of feelings": Self-analysis versus spontaneity -- Unconscious creativity and its limits -- Emotions recollected in tranquillity -- Simulated spontaneity and self-dramatization -- Toward the dramatic monologue -- 6. Precedents II: Shakespeare: The linguistic and prosodic model -- Shakespeare and the alienists -- Shakespeare's psychology and pre-romantic criticism -- 7. Dead end: Matthew Arnold: The search for the buried self -- The greater romantic lyric In extremis -- Matthew Arnold and psychology -- Empedocles on Etna and spasmodic drama -- Maud, or the way out of the impasse -- 8. The psychological school of poetry: patterns: Opening, setting, and listener -- Situation, action, and conclusion -- Dramatic narrative and psychological revivification -- 9. The psychological school of poetry: contents: Relativist versus traditional morality -- The psychology of murder and suicide -- The psychology of history -- From reverie to insanity -- From case history to surrealistic effusion -- 10. Swinburne, or the psychopathology of poetic creation: Dramatizations of the perverse -- Insane artists and alienist biographers -- A poetics of madness and revolt -- Epilogue: Toward a poète maudit aesthetic.
- ISBN
- 0691067481
- 9780691067483
- 0691015112
- 9780691015118
- LCCN
- 88009948
- OCLC
- ocm17765717
- 17765717
- SCSB-14170162
- Owning Institutions
- Princeton University Library